Case for Making
San Francisco, CA
Handmade watercolors and artist tools, made in San Francisco.
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Case for Making Italian Raw Sienna
This lovely natural sienna earth pigment is semi-opaque and lightfast, with a slightly gritty texture. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
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Case for Making Venetian Red
This warm, earthy red is similar to deep scarlet, and is opaque, smooth and lightfast. The pigment is derived from hematite, a crystalline-structured mineral form of iron(lll) oxide from the southern Italian Alps, where it’s been preserved in overlapping volcanic rock. Venetian Red was widely used in Italian Renaissance painting beginning in the 14th century.
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Case for Making Fluorescent Violet
An ultra-bright synthetic! Like all our fluorescents, this fun glowy violet is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Note on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.
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Case for Making Citron Yellow
A bright and smooth synthetic primary yellow. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 74, W 18, CACO3. All of our watercolors conform to ASTM D-4236 .
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Case for Making Ultramarine Blue Light
A vivid and rich blue, Ultramarine Blue was first formulated in 1828 by chemist Guillemet as a synthetic reproduction of the expensive and rare mineral pigment Lapis Lazuli, whose color extraction process is also very labor intensive. Ultramarine Blue was the beautiful, affordable and stable alternative for artists. Opaque, very lightfast, and paints with a consistent smooth texture.
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Case for Making Blue Ridge Yellow Ochre
The richest ochre we've made yet! This deep gold is lightfast and highly opaque, with an incredibly smooth and consistent texture. The color sits extremely matte, but can be watered down to subtle yellows or tinted to an opaque pastel. Like Blue Ridge Red Hematite and Blue Ridge Violet Hematite, Blue Ridge Yellow Ochre derives from a natural iron-oxide pigment specific to Virginia's Blue Ridge Mountain range.
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Case for Making French Vermilion
A bright orange-red synthetic formulated to simulate the characteristics of the mineral pigment Vermilion, without the use of mercury. This lovely core color is highly opaque, smooth and lightfast. True Vermilion is a brilliant red pigment with a rich history of use around the world, from Ancient Rome’s decorative arts, to illuminated manuscripts of the Middle Ages, to lacquerware in China since the Song dynasty. Vermillion was even used as a cosmetic rouge in ancient West Asia.
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Case for Making CfM Watercolor Postcards
These lovely postcards are a perfect way to get creative, let friends know you're thinking of them, and support the USPS, all at the same time! 12 blank watercolor postcards, letterpressed on the back and bound/padded to be carried as a notebook, with a limited-edition color cover. 3.75” x 6” / 140lb / acid free. Letterpress printed by The Aesthetic Union in San Francisco.
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Case for Making Silver
A metallic mica pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it.
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Case for Making Bronze
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
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Case for Making Fluorescent Green
An ultra-bright synthetic! Like all our fluorescents, this fun glowy green is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Notes on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.
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Case for Making Nicosia Green
This lovely green is made of earth from the city Nicosia in Cyprus. It's light and transparent, with a slightly gritty texture. When Nicosia is fully saturated it resembles French Pale Green, though more transparent and textured. We've included a side by side image for comparison. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
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Case for Making Titanium White
A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
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Case for Making Ultramarine Violet Reddish
A soft red-violet in the synthetic Ultramarine family. Opaque, very lightfast, and paints with a consistent smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .
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Case for Making Buff Titanium
A natural mineral pigment that is smooth, opaque, and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6:1.77891. All of our watercolors conform to ASTM D-4236 .
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Case for Making CfM Small Swatch Card
Our lovely letterpressed watercolor swatch cards! Fits our small tin perfectly and has 14 blind debossed squares to color swatch your CfM watercolors with space below to write the color names! Comes free with the purchase of a premade set.
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Case for Making Italian Gold Ochre Light
A bright natural ochre that is smooth and lightfast—similar in color to Blue Ridge Yellow Ochre, but more transparent. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
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Case for Making CfM Circle Paper
Each sheet of this unique paper has a single raised circle at its center, ideal for color wheels, circle-framed portraits, worlds, portholes, spirals– the possibilities are endless! Blind debossed watercolor paper, bound at the top edge. Letterpress printed by The Aesthetic Union in San Francisco. 6" x 6" / 20 sheets / 140 lb. / acid free 10" x 10" / 10 sheets / 140 lb. / acid…
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Case for Making Fluorescent Blue
An ultra-bright synthetic! Like all our fluorescents, this fun glowy blue is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Notes on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.
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Case for Making Slate Green
A natural earth pigment that is lightfast and transparent with a fair amount of texture. Slate green is a natural stone chalk that has been ground down into a fine powder which we've found to have a lovely grittiness to it. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep.
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Case for Making Kremer White
A warm white that is smooth, semi-opaque and lightfast. This signature white is made from zirconium oxide by our friends Kremer Pigmente in Germany. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: 77995. All of our watercolors conform to ASTM D-4236 .
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Case for Making French Rose Lake
A smooth, semi-opaque and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor.
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Case for Making Pewter Lake
A lake pigment that is smooth, semi-transparent and lightfast. It's made from a manufactured French mineral pigment fixed to a natural calcium carbonate base, which lands a soft and velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint.
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Case for Making Luberon Orange
The perfect earthy orange for painting those rich summer sunsets! This smooth, opaque and lightfast ochre originates from the French quarries of Gargas and Rustrel, nested in the heart of the Luberon Mountains. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY43 (77492).
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Case for Making Fluorescent Brick Red
An ultra-bright synthetic! Like all our fluorescents, this fun glowy red is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Notes on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
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Case for Making Zirconium Yellow
A bright, cool-toned synthetic yellow that mimics the sunny hue of Yellow Zircon semi-precious gemstones. It’s smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 159.77997. All of our watercolors conform to ASTM D-4236 .
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Case for Making Blackcurrant Red Lake
A smooth, opaque and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
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Case for Making Vagone Green
This rich, forest green natural earth pigment is lightfast and opaque with a subtle texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PG 7.74260, PB 11, PY 42. All of our watercolors conform to ASTM D-4236 .
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Case for Making Blue Ridge Red Hematite
A deep, warm brick red sienna earth pigment with high opacity, lightfastness, and a very consistent and smooth texture. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness. All three of our Blue Ridge colors are natural iron-oxide pigments - clay deposits that over time have been saturated in limonite, which produces a yellow hue, and hematite, which produces a reddish hue.
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Case for Making Mineral Violet
A smooth and consistent red-tinted synthetic violet. This color is smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .
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Case for Making Cerulean
A synthetic bright, cool blue with high opacity and lightfastness. Cerulean paints with a very consistent smooth texture. Discovered by Swiss chemist Albrecht Hopfner in 1789 and introduced to a wider market in the UK by art materials manufacturer George Rowney in the 1860s, it became an important addition to synthetic blues of the time like Prussian Blue, Cobalt Blue and Ultramarine and is still coveted for its opacity and use in painting skies. Berthe Morisot used the color in her 1879 painting Summer’s Day.
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Case for Making CfM Mini Matte Gold Travel Brushes
The tiniest, babiest, super-mini version of our beloved Matte Gold Travel Brushes! These sleek, portable brushes are compact enough to fit in the middle row of our favorite Simple Travel Palettes —or right in your pocket! The detachable handle can be used as a cover, so the bristles are protected when you're on the move. Our travel brushes are made from synthetic sable with solid brass handles. This brush is a little less than 1/4" in diameter and measures ~3" when closed and ~5.25" when open. Imported from Germany.
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Case for Making CfM Medium Palette
This next size up from our best-selling CfM Small Palette fits double the paints—up to twenty-four of our handmade watercolors ! We love these sturdy palettes for their easy-to-clean design and spacious mixing wells! Includes an empty palette with a fold-out mixing tray, swatch card, and a finger loop at the bottom. Measures approximately 9" x 2.75" x 1/2" when closed. Imported from Germany.
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Case for Making Fluorescent Orange Light
An ultra-bright synthetic! Like all our fluorescents, this fun glowy orange is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Notes on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.
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Case for Making Magnetite
Magnetite is a naturally occurring black, ferrous mineral pigment which is also magnetic! Magnetite is also the natural counterpart to synthetic Mars Black and was named after the location where it was first sourced in 1845, Magnesia, Greece. Black iron oxides, like Magnetite, have a long history of use as pigments and offer a cool undertone and unique textures. This color can achieve opacity with a fine texture.
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Case for Making Graphite
Made from true fine graphite powder, this naturally occurring pigment offers great opacity, depth and a very smooth texture. Graphite is the most stable form of the element carbon. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor.
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Case for Making CfM Round Brushes
Our most popular brush style! Round brushes are an excellent choice for precise line or detail work. Depending on the pressure and angle of application, you can achieve a thick swath or thin line in a single swipe. These all-around brushes are a favorite of beginner and seasoned painters alike, and a great place to start if you're just building your quiver! Sizes 8 and 10 are also great for kids! Our premium quality brushes have coated wood handles labeled with our classic gold lettering, and synthetic bristles that fit into a metal ferrule. Imported from Germany.
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Case for Making Burnt Umber Dark
A natural earth pigment that is lightfast and semi-transparent with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. * We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit cracked to sell at full price. Available until we run out!
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit too cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
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Case for Making Ultramarine Pink
This soft, violet-tinted synthetic pink is smooth, opaque, and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .
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Case for Making Ivory Black
A deep, warm, semi-transparent black that is lightfast and slightly textured. Ivory Black is a high quality Bone Black composed of the carbon from calcified animal bones. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PBk 9.77267.
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Case for Making French Ochre Sahara
A rich yellow-toned green-brown earth pigment from France. This color offers a smooth consistency, high opacity and lightfastness. * We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
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Case for Making Burnt Umber Reddish
A natural earth pigment that is lightfast and opaque with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
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Case for Making CfM Matte Gold Travel Brushes
These beautiful travel brushes are ready to go where you go! Sleek and portable, they fit easily in a purse or fanny pack—or right in your pocket! They also fit in the middle row of our CfM Small Palette . The detachable handle can be used as a cover, so the bristles are protected when you're on the move! Our travel brushes are made from synthetic sable with solid brass handles. This brush is ~1/4" in diameter and measures ~4" when closed and ~7" when open. Imported from Germany.
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Bhushan Nemade CfM Handmade Watercolor Paper Sheets
Soft and pillowy handmade sheets with a beautiful texture and deckled edge. Great for small paintings, greeting cards, gift tags or whatever else you can dream up! 20 watercolor paper sheets, wrapped in a limited-edition color of our letterpress printed bellyband. 100% cotton / 4" x 6" / 140lb / cold pressed. Handmade in India.
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Case for Making Fluorescent Flame Red
An ultra-bright synthetic! Like all our fluorescents, this fun glowy red is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Notes on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.
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Case for Making Sky Blue Lake
A smooth, semi-transparent and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
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