
Case for Making Italian Gold Ochre Light
2 colors/styles available — click a swatch to switch
$12.00Sold by Case for Making · San Francisco, CA
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A bright natural ochre that is smooth and lightfast—similar in color to Blue Ridge Yellow Ochre, but more transparent. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
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Case for Making Italian Gold Ochre Light
A bright, natural ochre earth pigment sourced in Italy, Italian Gold Ochre Light is lightfast and semi-transparent with a smooth texture. Similar in color to Blue Ridge Yellow Ochre with more transparent qualities. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492.
by Case for Making · San Francisco, CA
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Case for Making Italian Raw Sienna
This lovely natural sienna earth pigment is semi-opaque and lightfast, with a slightly gritty texture. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making French Ochre Sahara
A rich yellow-toned green-brown earth pigment from France. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Primary Red
A deep, cool synthetic red that is opaque, smooth and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Green Earth Yellowish
A natural yellow-toned green earth pigment that is lightfast, opaque with a smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 23.77009. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Titanium White
A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
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Case for Making Paliochrome Blue Silver
A metallic glimmer pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Bronze
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
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Case for Making Zirconium Yellow
A bright, cool-toned synthetic yellow that mimics the sunny hue of Yellow Zircon semi-precious gemstones. It’s smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 159.77997. All of our watercolors conform to ASTM D-4236 .
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Mineral Violet
A smooth and consistent red-tinted synthetic violet. This color is smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Saturday, July 25, 11:00am - 12:30pm PT. This is an online workshop held via Zoom. I have been obsessed with dolphins since childhood. Their curious, playful natures are fascinating, and their graceful movements are full of joy. Observing them swimming in the San Francisco Bay inspired me to loosen my approach to painting and respond more intuitively to the natural world. In this workshop we’ll explore foundational watercolor techniques such as wet-into-wet, layering, and more, with an emphasis on using minimal, fluid brushstrokes to paint these streamlined creatures.
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SLS Pentel Mechanical Drafting Pencil Lead
Our favorite replacement mechanical pencil lead! Pentel’s Super Hi-Polymer pencil lead is one of the strongest and highest quality leads on the market. Formulated to improve strength, retain darkness and smoothness, and reduce the risk of breakage. We offer it in the HB which is a wonderful general-use pencil lead hardness. 12 leads / pack Available in - 0.3mm, 0.5mm, 0.7mm, &…
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These porcelain Hasami dishes with a light grey glaze are perfect for holding our colors, small studio and office supplies, and are also food safe! Available in two sizes: Small: 3.25" in diameter Medium: 5.5" in…
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Pinnacle Nichiban 207 Masking Tape
Nichiban is la crème de la crème of artist tape! Strong and durable, yet super thin and pliable, it peels off your paper like a dream, revealing a perfect edge every time! Nichiban 207 is 15mm / ~.59" wide and each roll measures 50 meters / 164 feet long. Made in Japan.
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Case for Making Fluid Fauna: Butterflies and Moths with Claire Wilson
Saturday, July 18, 11:00am - 12:30pm PT This is an online workshop held via Zoom. Mother Nature continues to be one of our best muses! Butterflies have been a popular motif historically in art and design, perhaps for their fleeting beauty and fragility, and watercolour is the perfect medium to explore their iridescent wings. In this session we’ll be studying butterflies & moths and observing their wide range of patterns and textures - their symmetry allows for repetition and practicing techniques.
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JPT Pilot G-tec-C Pens
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