
Case for Making Italian Gold Ochre Light
2 colors/styles available — click a swatch to switch
$6.00Sold by Case for Making · San Francisco, CA
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A bright, natural ochre earth pigment sourced in Italy, Italian Gold Ochre Light is lightfast and semi-transparent with a smooth texture. Similar in color to Blue Ridge Yellow Ochre with more transparent qualities. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492.
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Case for Making Italian Gold Ochre Light
A bright natural ochre that is smooth and lightfast—similar in color to Blue Ridge Yellow Ochre, but more transparent. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making French Ochre Sahara
A rich yellow-toned green-brown earth pigment from France. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Green Earth Yellowish
A natural yellow-toned green earth pigment that is lightfast, opaque with a smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 23.77009. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Italian Raw Sienna
This lovely natural sienna earth pigment is semi-opaque and lightfast, with a slightly gritty texture. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Paliochrome Blue Silver
A metallic glimmer pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it.
by Case for Making · San Francisco, CA
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Titanium White
A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
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Case for Making Pewter Lake
A lake pigment that is lightfast and semi-transparent and very smooth to paint with, Pewter Lake is made from a French mineral pigment that is fixed to a natural calcium carbonate base which gives these specific lake pigments a soft, velvety and matte finish when dry. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep.
by Case for Making · San Francisco, CA
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Case for Making Primary Red
A synthetic deep, cool red with high opacity and lightfastness. Paints with a very consistent smooth texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Luberon Orange
The perfect earthy orange for painting those rich summer sunsets! This smooth, opaque and lightfast ochre originates from the French quarries of Gargas and Rustrel, nested in the heart of the Luberon Mountains. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY43 (77492).
by Case for Making · San Francisco, CA
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Case for Making Egg Yolk Yellow
A rich, ultra warm yellow Egg Yolk offers great opacity, lightfastness and a smooth texture. This pigment is synthetic—i.e. no eggs were used in the making of this paint—but it truly mimics the color and texture of a perfectly runny yolk. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 83.22108.
by Case for Making · San Francisco, CA
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More from Case for Making
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Case for Making Natural Earth Palette
A soothing collection of natural pigments found all around the place we all call home, Mother Earth! With pigments derived everywhere from the Blue Ridge Mountains to the Luberon region of France, this palette is a tour of our planet's rich mines of color. This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!
by Case for Making · San Francisco, CA
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Case for Making Dorothy Hood’s Abstract Painting with Erin McCluskey Wheeler
Thursday, July 30, 5:00pm - 6:30pm PT This is an online workshop held via Zoom. Dorothy Hood was born in 1918 and spent her life in both Mexico and Texas. Her large abstract paintings are full of hard and soft edges, moments where the paint pools and gathers and places where the paint makes crisp lines and angles. Her colors are bold and inspired by the full range of colors found in both Mexico and Texas. With watercolors, we will play with some of Dorothy’s shapes by creating hard edges with tape, letting the watercolors be soft and blend, and create dynamic shapes with layered colors.
by Case for Making · San Francisco, CA
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Case for Making Watercolor Paint-Making with Alexis Joseph
SATURDAY, JULY 25, 2:00pm - 5:00pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Join Case for Making shop owner Alexis Joseph a 3-hour watercolor paint-making class in our new space! We’ll cover what goes into watercolor medium and why it works so well, along with all the tools and processes necessary to make your own watercolors. We'll also explore synthetic, earth and mineral lake pigments and see how different pigments respond to the paint-making process.
by Case for Making · San Francisco, CA
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JPT Pilot G-tec-C Pens
The pen that inspired Case for Making at the very beginning of it all! This premium gel ink pen features smear-proof bio-polymer ink designed for clear crisp lines and smooth writing. Available in 3 variations: 0.25, 0.3, 0.4 line weights.
by Case for Making · San Francisco, CA
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Case for Making Expanded Desert Palette
Our original California Desert Palette celebrates the wonders of Joshua Tree National Park, and this expanded palette adds even more color to capture, or find inspiration in, this cherished California landscape ! This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!
by Case for Making · San Francisco, CA
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Case for Making Support for groundbreaking carbon removal technologies.
by Case for Making · San Francisco, CA
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SLS Handbook Travelogue Sketchbooks
128 pages / acid-free / accepts light watercolor washes without buckling
by Case for Making · San Francisco, CA
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Case for Making CfM Travel Palette Swatch Card
We love our letterpressed watercolor swatch cards - they're fun and cute and oh so useful! This debossed swatch card features 12 indentations for color swatches - made to fit in our Simple Travel Palette. This card comes free with all travel size premade watercolor sets.
by Case for Making · San Francisco, CA
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Hightide Penco 8 Color Delights Crayon
Eight colors in one, with an easy-to-twist top so you can switch colors as you draw! Please note: we're currently shipping these with a white cap.
by Case for Making · San Francisco, CA
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Chronicle / Faire Sea Stamp Set
Make sea worlds from the depths of your imagination with this cool stamp set! Includes 25 stamps and a 2-color blue/red ink pad
by Case for Making · San Francisco, CA
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Case for Making Intuitive Mark-Making with Simmin Joy Holland
SATURDAY, JUNE 27, 2:00 - 4:00pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! This abstract mark-making and mixed media workshop will explore intuitive ways of making marks to develop freedom and confidence in the process. We will begin with activities designed to explore materials and experiment with various approaches to creating marks. We will then cut & collage the papers we created in warm-up activities, add additional material, and explore meaning through the creation of an abstract piece rooted in your unique sensibility.
by Case for Making · San Francisco, CA
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SLS Mod Podge
A total classic. Use as a glue, sealer, finish, or all-in-one! Perfect for collaging. We love using it to decorate and seal the cover of a sketchbook! Choice of Matte or Glossy finish. Formula is non-toxic and easily washable with soap and water. Great for kids! Available in - 4oz (118 ml)…
by Case for Making · San Francisco, CA
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