
Case for Making Titanium White
3 colors/styles available — click a swatch to switch
$12.00Sold by Case for Making · San Francisco, CA
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A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
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Case for Making Titanium White
A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Graphite
Made from true fine graphite powder, this naturally occurring pigment offers great opacity, depth and a very smooth texture. Graphite is the most stable form of the element carbon. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor.
by Case for Making · San Francisco, CA
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Case for Making Green Earth Yellowish
A natural yellow-toned green earth pigment that is lightfast, opaque with a smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 23.77009. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Zirconium Yellow
A bright, cool-toned synthetic yellow that mimics the sunny hue of Yellow Zircon semi-precious gemstones. It’s smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 159.77997. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Pewter Lake
A lake pigment that is smooth, semi-transparent and lightfast. It's made from a manufactured French mineral pigment fixed to a natural calcium carbonate base, which lands a soft and velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint.
by Case for Making · San Francisco, CA
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Silver
A metallic mica pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Mineral Violet
A smooth and consistent red-tinted synthetic violet. This color is smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Ultramarine Pink
This soft, violet-tinted synthetic pink is smooth, opaque, and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Primary Red
A deep, cool synthetic red that is opaque, smooth and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Italian Gold Ochre Light
A bright natural ochre that is smooth and lightfast—similar in color to Blue Ridge Yellow Ochre, but more transparent. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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More from Case for Making
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Case for Making CfM Oxalis
CfM Oxalis captures the cheery yellow of the California wildflower also known as Woodsorrel, which Bay Area locals might remember from childhood as Sourgrass. Here in San Francisco, Oxalis seems to pop up from every available patch of soil in mid-February, and we wanted to celebrate this annual harbinger of spring! Oxalis flowers make a wonderful, potent natural yellow dye, and CfM Oxalis was inspired by the flower and the slightly more orange dye bath.
by Case for Making · San Francisco, CA
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SLS Hahnemühle Tan Toned Watercolor Book
Have you ever wanted to try watercolor paper that isn't just white? These watercolor journals offer toned pages for a different look and feel! Try mixing it up with tan toned paper. These books are great for travel and the design features a linen cover, an elastic band to keep secure, and a red ribbon bookmark. Each book is 200gsm (95lbs) and 60 pages. Available in two sizes - A6 small (4.1" x 5.8") or A5 medium (5.8" x 8.3")
by Case for Making · San Francisco, CA
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Case for Making Support for groundbreaking carbon removal technologies.
by Case for Making · San Francisco, CA
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Saikai Hasami Porcelain Dishes
These porcelain Hasami dishes with a light grey glaze are perfect for holding our colors, small studio and office supplies, and are also food safe! Available in two sizes: Small: 3.25" in diameter Medium: 5.5" in…
by Case for Making · San Francisco, CA
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Case for Making CfM Small Swatch Card
Our lovely letterpressed watercolor swatch cards! Fits our small tin perfectly and has 14 blind debossed squares to color swatch your CfM watercolors with space below to write the color names! Comes free with the purchase of a premade set.
by Case for Making · San Francisco, CA
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Saikai Allex Large Desk Scissors
by Case for Making · San Francisco, CA
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Shore Bags Colori Cotton Pen Case
Fun colors and a chunky zipper? Yes please! These pouches are a great handy-but-compact option for pens, sharpeners, and all the little supplies you want at the ready wherever you go. Each measures ~8" x 4"
by Case for Making · San Francisco, CA
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Case for Making Miso #1
This series of paintings was created to celebrate the female purveyors behind the San Francisco restaurant, Flour + Water's, special Women's Month tasting menu. Size 9" x 12" 11 people from our team worked together to collectively create these watercolor paintings, one color mark at a time. Our team is inspired by curiosity, craft and experimentation and we made this series of works in celebration of the visionary women behind each of these beautiful ingredients. We're happy to offer them for sale here as the first original artworks created by our team.
by Case for Making · San Francisco, CA
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Case for Making Fluid Fauna: Butterflies and Moths with Claire Wilson
Saturday, July 18, 11:00am - 12:30pm PT This is an online workshop held via Zoom. Mother Nature continues to be one of our best muses! Butterflies have been a popular motif historically in art and design, perhaps for their fleeting beauty and fragility, and watercolour is the perfect medium to explore their iridescent wings. In this session we’ll be studying butterflies & moths and observing their wide range of patterns and textures - their symmetry allows for repetition and practicing techniques.
by Case for Making · San Francisco, CA
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Chronicle / Faire Sea Stamp Set
Make sea worlds from the depths of your imagination with this cool stamp set! Includes 25 stamps and a 2-color blue/red ink pad
by Case for Making · San Francisco, CA
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JPT Uni-ball Signo Pen
JPT America gel ink pen in black, red, and blue ink - super smooth writing, the viscous formula behind the gel ink is what sets this pen apart. The pigment contained in the ink is water resistant and light resistant. Made in Japan.
by Case for Making · San Francisco, CA
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SLS UHU Glue Stick
Quick-setting adhesive for paper, cardboard, photos, and more! These twistable glue sticks are non-toxic, non-staining, and washable! The formula is clear and dries in under a minute. Available in - 0.74oz (21g)…
by Case for Making · San Francisco, CA
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