Case for Making Ultramarine Pink

A soft violet tinted pink in the synthetic Ultramarine family. Opaque, very lightfast, and paints with a consistent smooth texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A smooth and consistent red-tinted synthetic violet. This color is smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A deep, cool synthetic red that is opaque, smooth and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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This sultry, dusty pink is beautiful for florals or the last deep streaks of a moody sunset. It’s smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Our custom blended colors don't have a Color Index number, as they consist of a unique blend of two or more pigments.

by Case for Making · San Francisco, CA

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A smooth, semi-transparent and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.

by Case for Making · San Francisco, CA

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A bright, cool-toned synthetic yellow that mimics the sunny hue of Yellow Zircon semi-precious gemstones. It’s smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 159.77997. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A natural yellow-toned green earth pigment that is lightfast, opaque with a smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 23.77009. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A metallic glimmer pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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Compact, easy to grip letter stamps in a playful font! These uppercase and lowercase sets are great to have around for gift tags, cards, cubby labels and more. Try them with our colorful Yellow Owl All-Surface Ink Pads ! Uppercase package measures ~1 .75" x wide x 3.25" long x 1 .75"; each letter is ~1/4" Lowercase package measures ~2" x wide x 2.75" long x 1.75" high; each letter is ~1/4"

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Our ultimate blended brown! Cocoa is a careful mix of 6 (!!) of our core collection colors—the most out of all our blends, with Lime and Ruby in close second. Compared to Burnt Umber Dark and Reddish—both beautiful, single origin earth pigments that lend texture and transparency—Cocoa is a smooth, opaque alternative with a lovely ultra-matte finish. The cool thing about Cocoa is that the colors used to make this blend include two different reds, two yellows, and two blues! The fact that mixing the three primaries together creates an unlimited amount of neutrals never ceases to amaze us!

by Case for Making · San Francisco, CA

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by Case for Making · San Francisco, CA

🚚 Ships from California

A soothing collection of natural pigments found all around the place we all call home, Mother Earth! With pigments derived everywhere from the Blue Ridge Mountains to the Luberon region of France, this palette is a tour of our planet's rich mines of color. This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!

by Case for Making · San Francisco, CA

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Nichiban is la crème de la crème of artist tape! Strong and durable, yet super thin and pliable, it peels off your paper like a dream, revealing a perfect edge every time! Nichiban 207 is 15mm / ~.59" wide and each roll measures 50 meters / 164 feet long. Made in Japan.

by Case for Making · San Francisco, CA

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The classic composition notebook reimagined! We love these fun and funky color combinations that keep us inspired! Emilio Braga sketchbooks are our favorite, and have been handmade in Portugal since 1918! They are perfect for drawing and writing, even on the go! Every sketchbook has an elastic band and comes with a cardstock sheet that is lined on one side and grid on the other to use as a writing guide since all pages are blank. Size 12cm x 17cm (approx. 4.72in. x 6.69in.) Size 17cm x 23cm (approx. 6.69in.

by Case for Making · San Francisco, CA

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SATURDAY, JUNE 27, 2:00 - 4:00pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! This abstract mark-making and mixed media workshop will explore intuitive ways of making marks to develop freedom and confidence in the process. We will begin with activities designed to explore materials and experiment with various approaches to creating marks. We will then cut & collage the papers we created in warm-up activities, add additional material, and explore meaning through the creation of an abstract piece rooted in your unique sensibility.

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The Blackwing One-Step Sharpener creates a long, curved point designed to resist breakage. Blades are replaceable once dull. The canister holds three full sharpens before needing to be emptied. Body is made of durable aluminum and the sharpener features a German steel blade. Light weight, fits in the palm of your hand and is easy to bring in your everyday carry tote.

by Case for Making · San Francisco, CA

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Grab a digital gift card for all your art-supply-loving friends and family! Gift cards can be used in our shop and online for both products and workshops! Please Note: If you'd like the digital gift card to go directly to the recipient, check "I want to send this as a gift" before adding to cart, and fill in the required fields. Use the date field to select the specific date you'd like the card to be emailed.

by Case for Making · San Francisco, CA

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This swatch card is designed to fit in the lid of our x-large tin so that you can see each of your colors swatched on paper to ease your painting process. Equally useful and just as fun to fill in! This debossed swatch card features 48 indentations for color swatches - made to fit in our X-Large Palette. This product comes free with our 48 Color Large pre-made set.

by Case for Making · San Francisco, CA

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Our original California Desert Palette celebrates the wonders of Joshua Tree National Park, and this expanded palette adds even more color to capture, or find inspiration in, this cherished California landscape ! This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!

by Case for Making · San Francisco, CA

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Saturday, July 18, 11:00am - 12:30pm PT This is an online workshop held via Zoom. Mother Nature continues to be one of our best muses! Butterflies have been a popular motif historically in art and design, perhaps for their fleeting beauty and fragility, and watercolour is the perfect medium to explore their iridescent wings. In this session we’ll be studying butterflies & moths and observing their wide range of patterns and textures - their symmetry allows for repetition and practicing techniques.

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