
Case for Making Primary Red
6 colors/styles available — click a swatch to switch
$12.00Sold by Case for Making · San Francisco, CA
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A deep, cool synthetic red that is opaque, smooth and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
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Case for Making Primary Red
A synthetic deep, cool red with high opacity and lightfastness. Paints with a very consistent smooth texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Mineral Violet
A smooth and consistent red-tinted synthetic violet. This color is smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Citron Yellow
A bright and smooth synthetic primary yellow. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 74, W 18, CACO3. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Ultramarine Pink
This soft, violet-tinted synthetic pink is smooth, opaque, and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Green Earth Yellowish
A natural yellow-toned green earth pigment that is lightfast, opaque with a smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 23.77009. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Titanium White
A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Italian Gold Ochre Light
A bright natural ochre that is smooth and lightfast—similar in color to Blue Ridge Yellow Ochre, but more transparent. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Copper
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Buff Titanium
A natural mineral pigment that is smooth, opaque, and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6:1.77891. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
🚚 Ships from California
More from Case for Making
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Case for Making Dorothy Hood’s Abstract Painting with Erin McCluskey Wheeler
Thursday, July 30, 5:00pm - 6:30pm PT This is an online workshop held via Zoom. Dorothy Hood was born in 1918 and spent her life in both Mexico and Texas. Her large abstract paintings are full of hard and soft edges, moments where the paint pools and gathers and places where the paint makes crisp lines and angles. Her colors are bold and inspired by the full range of colors found in both Mexico and Texas. With watercolors, we will play with some of Dorothy’s shapes by creating hard edges with tape, letting the watercolors be soft and blend, and create dynamic shapes with layered colors.
by Case for Making · San Francisco, CA
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Case for Making CfM Simple Travel Palette - Matte White
This sleek and elegant palette is the perfect travel companion! Each row holds four half-pans of paint, to fit a total of twelve handmade watercolors . Or, choose eight colors and pop a Mini Matte Gold Travel Brush in the middle row—and you'll be all set for your next outdoor painting adventure! Includes an empty palette with a finger loop at the bottom, swatch card, plus two metal spacer bars to hold your paints in place. First time loading your palette? Watch our handy how-to videos!
by Case for Making · San Francisco, CA
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Shore Bags Colori Cotton Pen Case
Fun colors and a chunky zipper? Yes please! These pouches are a great handy-but-compact option for pens, sharpeners, and all the little supplies you want at the ready wherever you go. Each measures ~8" x 4"
by Case for Making · San Francisco, CA
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Case for Making Expanded Desert Palette
Our original California Desert Palette celebrates the wonders of Joshua Tree National Park, and this expanded palette adds even more color to capture, or find inspiration in, this cherished California landscape ! This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!
by Case for Making · San Francisco, CA
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Case for Making Final 14 Palette
The home stretch of our complete collection! With our Core Collection 48 Palette and The Max Feels 48 Blends Palette , this set adds the final 14 colors to span our full line of handmade paints! This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!
by Case for Making · San Francisco, CA
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SLS Handbook Travelogue Sketchbooks
128 pages / acid-free / accepts light watercolor washes without buckling
by Case for Making · San Francisco, CA
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Case for Making CfM Small Swatch Card
Our lovely letterpressed watercolor swatch cards! Fits our small tin perfectly and has 14 blind debossed squares to color swatch your CFM Watercolors with space below to write the color names! Comes free with the purchase of a premade set.
by Case for Making · San Francisco, CA
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Case for Making Ultimate Feels 36 Blends Palette
We just can't help ourselves, the colors keep on coming—so much so that our original Custom Feels set has expanded twice! This set comes in our CFM Large Palette , which we love for its spacious mixing wells and easy-to-clean design. All of our premade sets include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!
by Case for Making · San Francisco, CA
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SLS Winsor & Newton Permanent White Gouache
Introduced in 1935, Winsor & Newton Designers' Gouache is considered by many to be the finest artist-quality gouache available. This Permanent White gouache is a smooth, flat white, and very opaque. Cadmium free and offers full matte coverage. Available in 2 sizes: 14ml and…
by Case for Making · San Francisco, CA
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Pinnacle Nichiban 207 Masking Tape
Nichiban is la crème de la crème of artist tape! Strong and durable, yet super thin and pliable, it peels off your paper like a dream, revealing a perfect edge every time! Nichiban 207 is 15mm / ~.59" wide and each roll measures 50 meters / 164 feet long. Made in Japan.
by Case for Making · San Francisco, CA
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SLS Sakura Sumo Grip Eraser
This latex-free, black eraser is a staff favorite and works to limit the amount of eraser shavings that collect on your work surface into one big shaving for easy clean up! Sakura Sumo Grip Erasers feature a microporous, open-cell foam technology that works like ultra-fine sandpaper to get into the grooves and pits of the paper surface. Measures: about 2"…
by Case for Making · San Francisco, CA
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Hightide Penco 8 Color Delights Crayon
Eight colors in one, with an easy-to-twist top so you can switch colors as you draw! Please note: we're currently shipping these with a white cap.
by Case for Making · San Francisco, CA
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