
Case for Making Egg Yolk Yellow
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$6.00Sold by Case for Making · San Francisco, CA
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A rich, ultra warm yellow Egg Yolk offers great opacity, lightfastness and a smooth texture. This pigment is synthetic—i.e. no eggs were used in the making of this paint—but it truly mimics the color and texture of a perfectly runny yolk. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 83.22108.
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Case for Making Egg Yolk Yellow
A rich, ultra-warm yellow that is smooth, opaque and lightfast. This pigment is synthetic—no eggs are used in the making of this paint—but it truly mimics the color of a perfectly runny yolk! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 83.22108.
by Case for Making · San Francisco, CA
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Case for Making Green Earth Yellowish
A natural yellow-toned green earth pigment that is lightfast, opaque with a smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 23.77009. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Primary Red
A deep, cool synthetic red that is opaque, smooth and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Italian Gold Ochre Light
A bright natural ochre that is smooth and lightfast—similar in color to Blue Ridge Yellow Ochre, but more transparent. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Titanium White
A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Graphite
Made from true fine graphite powder, this naturally occurring pigment offers great opacity, depth and a very smooth texture. Graphite is the most stable form of the element carbon. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor.
by Case for Making · San Francisco, CA
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Case for Making Sky Blue Lake
A smooth, semi-transparent and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
by Case for Making · San Francisco, CA
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Case for Making Mineral Violet
A smooth and consistent red-tinted synthetic violet. This color is smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Ivory Black
A deep, warm, semi-transparent black that is lightfast and slightly textured. Ivory Black is a high quality Bone Black composed of the carbon from calcified animal bones. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PBk 9.77267.
by Case for Making · San Francisco, CA
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Paliochrome Blue Silver
A metallic glimmer pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it.
by Case for Making · San Francisco, CA
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More from Case for Making
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Case for Making Miso #1
This series of paintings was created to celebrate the female purveyors behind the San Francisco restaurant, Flour + Water's, special Women's Month tasting menu. Size 9" x 12" 11 people from our team worked together to collectively create these watercolor paintings, one color mark at a time. Our team is inspired by curiosity, craft and experimentation and we made this series of works in celebration of the visionary women behind each of these beautiful ingredients. We're happy to offer them for sale here as the first original artworks created by our team.
by Case for Making · San Francisco, CA
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Chronicle / Faire Stamp Garden Stamp Set
Cultivate your dream garden with this botanical stamp set! Includes 25 stamps and a 2-color pink/green ink pad.
by Case for Making · San Francisco, CA
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Case for Making Empty Art Toolkit Palettes
We love Art Toolkit palettes for their sleek, all-metal design and ultra-portability! We're so excited to offer two sizes and colors of these adorable, pocket-sized cases, each in its own screenprinted canvas drawstring bag. Build your own dream set with our handmade paints in Art Toolkit's Standard and Mini sized pans—you can find them all here ! Art Toolkit's Pocket Palette can fit up to 12 Art Toolkit Standard Pans or 24 Mini Pans (pans sold separately). The case measures 3-5/8" x 2-1/4" x 1/4" (~92mm x 64mm x 7mm) when closed.
by Case for Making · San Francisco, CA
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Case for Making Color Conversations with Alexis Joseph
TUESDAY, JUNE 23, 6:30pm - 8:30pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Ever stood in front of a painting wishing you had your paints with you? This workshop was born from exactly that feeling. We'll use projected abstract artworks as our reference and build a color map together -- a kind of paint-by-numbers where the "numbers" are your own personal notes about the colors you see.
by Case for Making · San Francisco, CA
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SLS Hahnemühle Tan Toned Watercolor Book
Have you ever wanted to try watercolor paper that isn't just white? These watercolor journals offer toned pages for a different look and feel! Try mixing it up with tan toned paper. These books are great for travel and the design features a linen cover, an elastic band to keep secure, and a red ribbon bookmark. Each book is 200gsm (95lbs) and 60 pages. Available in two sizes - A6 small (4.1" x 5.8") or A5 medium (5.8" x 8.3")
by Case for Making · San Francisco, CA
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Camtray Studio Trays
Can we use a classic cafeteria tray in the studio? If it's cute and retro, we say yes! These colorful, lightweight fiberglass trays have the added benefits of reinforced edges and an easy-to-clean, dishwasher-safe finish. You can see why we're obsessed . . .
by Case for Making · San Francisco, CA
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Case for Making Mini Art Toolkit Paint-Filled Pans—Seconds
We're so excited to offer a curated, rotating selection of our handmade watercolors in Art Toolkit's cutest mini pans, so you can build your own ultra-portable set! Seconds quality means there are some deeper cracks in the paint, and the pans might be filled slightly low—or maybe a bit too high! These variations do not affect the integrity of the paint. The Art Toolkit Pocket Palette can fit up to 24 mini pans; the Demi Palette can fit up to 12. The mini pans are exactly half the length of Art Toolkit's standard pans, so you can mix-and-match sizes in your palette!
by Case for Making · San Francisco, CA
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Case for Making Naturalist Studies: Dolphins with Melanie Lan
Saturday, July 25, 11:00am - 12:30pm PT. This is an online workshop held via Zoom. I have been obsessed with dolphins since childhood. Their curious, playful natures are fascinating, and their graceful movements are full of joy. Observing them swimming in the San Francisco Bay inspired me to loosen my approach to painting and respond more intuitively to the natural world. In this workshop we’ll explore foundational watercolor techniques such as wet-into-wet, layering, and more, with an emphasis on using minimal, fluid brushstrokes to paint these streamlined creatures.
by Case for Making · San Francisco, CA
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Emilio Braga Sketchbooks - Lemon
The classic composition notebook reimagined! We love these fun and funky color combinations that keep us inspired! Emilio Braga sketchbooks are our favorite, and have been handmade in Portugal since 1918! They are perfect for drawing and writing, even on the go! Every sketchbook has an elastic band and comes with a cardstock sheet that is lined on one side and grid on the other to use as a writing guide since all pages are blank. Size 12cm x 17cm (approx. 4.72in. x 6.69in.) Size 17cm x 23cm (approx. 6.69in.
by Case for Making · San Francisco, CA
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SLS Sakura Sumo Grip Eraser
This latex-free, black eraser is a staff favorite and works to limit the amount of eraser shavings that collect on your work surface into one big shaving for easy clean up! Sakura Sumo Grip Erasers feature a microporous, open-cell foam technology that works like ultra-fine sandpaper to get into the grooves and pits of the paper surface. Measures: about 2"…
by Case for Making · San Francisco, CA
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Shore Bags Colori Cotton Pen Case
Fun colors and a chunky zipper? Yes please! These pouches are a great handy-but-compact option for pens, sharpeners, and all the little supplies you want at the ready wherever you go. Each measures ~8" x 4"
by Case for Making · San Francisco, CA
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Case for Making CfM Oxalis
CfM Oxalis captures the cheery yellow of the California wildflower also known as Woodsorrel, which Bay Area locals might remember from childhood as Sourgrass. Here in San Francisco, Oxalis seems to pop up from every available patch of soil in mid-February, and we wanted to celebrate this annual harbinger of spring! Oxalis flowers make a wonderful, potent natural yellow dye, and CfM Oxalis was inspired by the flower and the slightly more orange dye bath.
by Case for Making · San Francisco, CA
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