Case for Making Italian Raw Sienna
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This lovely natural sienna earth pigment is semi-opaque and lightfast, with a slightly gritty texture. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
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Case for Making Italian Raw Sienna
A natural sienna earth pigment sourced in Italy, lightfast and semi-opaque. Has a slightly gritty texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Italian Gold Ochre Light
A bright natural ochre that is smooth and lightfast—similar in color to Blue Ridge Yellow Ochre, but more transparent. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Silver
A metallic mica pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Green Earth Yellowish
A natural yellow-toned green earth pigment that is lightfast, opaque with a smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 23.77009. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Titanium White
A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Citron Yellow
A bright and smooth synthetic primary yellow. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 74, W 18, CACO3. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Primary Red
A deep, cool synthetic red that is opaque, smooth and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Buff Titanium
A natural mineral pigment that is smooth, opaque, and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6:1.77891. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Bronze
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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SLS Winsor & Newton Permanent White Gouache
Introduced in 1935, Winsor & Newton Designers' Gouache is considered by many to be the finest artist-quality gouache available. This Permanent White gouache is a smooth, flat white, and very opaque. Cadmium free and offers full matte coverage. Available in 2 sizes: 14ml and…
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Case for Making Mini Art Toolkit Paint-Filled Pans—Seconds
We're so excited to offer a curated, rotating selection of our handmade watercolors in Art Toolkit's cutest mini pans, so you can build your own ultra-portable set! Seconds quality means there are some deeper cracks in the paint, and the pans might be filled slightly low—or maybe a bit too high! These variations do not affect the integrity of the paint. The Art Toolkit Pocket Palette can fit up to 24 mini pans; the Demi Palette can fit up to 12. The mini pans are exactly half the length of Art Toolkit's standard pans, so you can mix-and-match sizes in your palette!
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Shore Bags Colori Cotton Pen Case
Fun colors and a chunky zipper? Yes please! These pouches are a great handy-but-compact option for pens, sharpeners, and all the little supplies you want at the ready wherever you go. Each measures ~8" x 4"
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Case for Making Naturalist Studies: Dolphins with Melanie Lan
Saturday, July 25, 11:00am - 12:30pm PT. This is an online workshop held via Zoom. I have been obsessed with dolphins since childhood. Their curious, playful natures are fascinating, and their graceful movements are full of joy. Observing them swimming in the San Francisco Bay inspired me to loosen my approach to painting and respond more intuitively to the natural world. In this workshop we’ll explore foundational watercolor techniques such as wet-into-wet, layering, and more, with an emphasis on using minimal, fluid brushstrokes to paint these streamlined creatures.
by Case for Making · San Francisco, CA
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Case for Making Intuitive Mark-Making with Simmin Joy Holland
SATURDAY, JUNE 27, 2:00 - 4:00pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! This abstract mark-making and mixed media workshop will explore intuitive ways of making marks to develop freedom and confidence in the process. We will begin with activities designed to explore materials and experiment with various approaches to creating marks. We will then cut & collage the papers we created in warm-up activities, add additional material, and explore meaning through the creation of an abstract piece rooted in your unique sensibility.
by Case for Making · San Francisco, CA
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JPT Uni-ball Signo Pen
JPT America gel ink pen in black, red, and blue ink - super smooth writing, the viscous formula behind the gel ink is what sets this pen apart. The pigment contained in the ink is water resistant and light resistant. Made in Japan.
by Case for Making · San Francisco, CA
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Saikai Allex Large Desk Scissors
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SLS Hahnemühle Tan Toned Watercolor Book
Have you ever wanted to try watercolor paper that isn't just white? These watercolor journals offer toned pages for a different look and feel! Try mixing it up with tan toned paper. These books are great for travel and the design features a linen cover, an elastic band to keep secure, and a red ribbon bookmark. Each book is 200gsm (95lbs) and 60 pages. Available in two sizes - A6 small (4.1" x 5.8") or A5 medium (5.8" x 8.3")
by Case for Making · San Francisco, CA
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Chronicle / Faire Stamp Garden Stamp Set
Cultivate your dream garden with this botanical stamp set! Includes 25 stamps and a 2-color pink/green ink pad.
by Case for Making · San Francisco, CA
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Saikai Hasami Porcelain Dishes
These porcelain Hasami dishes with a light grey glaze are perfect for holding our colors, small studio and office supplies, and are also food safe! Available in two sizes: Small: 3.25" in diameter Medium: 5.5" in…
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by Case for Making · San Francisco, CA
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