Case for Making Italian Raw Sienna
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A natural sienna earth pigment sourced in Italy, lightfast and semi-opaque. Has a slightly gritty texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
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Case for Making Italian Raw Sienna
This lovely natural sienna earth pigment is semi-opaque and lightfast, with a slightly gritty texture. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Silver
A metallic mica pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Italian Gold Ochre Light
A bright natural ochre that is smooth and lightfast—similar in color to Blue Ridge Yellow Ochre, but more transparent. Sourced in Italy. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Titanium White
A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Green Earth Yellowish
A natural yellow-toned green earth pigment that is lightfast, opaque with a smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 23.77009. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Primary Red
A synthetic deep, cool red with high opacity and lightfastness. Paints with a very consistent smooth texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Citron Yellow
A bright and smooth synthetic primary yellow. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 74, W 18, CACO3. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Graphite
Made from true fine graphite powder, this naturally occurring pigment offers great opacity, depth and a very smooth texture. Graphite is the most stable form of the element carbon. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor.
by Case for Making · San Francisco, CA
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Case for Making Ultramarine Pink
This soft, violet-tinted synthetic pink is smooth, opaque, and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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More from Case for Making
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Case for Making Color Conversations with Alexis Joseph
TUESDAY, JUNE 23, 6:30pm - 8:30pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Ever stood in front of a painting wishing you had your paints with you? This workshop was born from exactly that feeling. We'll use projected abstract artworks as our reference and build a color map together -- a kind of paint-by-numbers where the "numbers" are your own personal notes about the colors you see.
by Case for Making · San Francisco, CA
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SLS Faber Castell Oil Pastel Set
Faber Castell Oil Pastel set features 12 vibrant colors that are opaque, blendable, and super smooth! Fun for mixed media projects and good for kids as well! Contained in a durable, convenient, clear plastic carrying case. Non-toxic and acid free.
by Case for Making · San Francisco, CA
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Case for Making CfM Filbert Brushes
In the world of brush options, there's no substitute for the filbert's flat, oval tip when laying down, or filling in, rounded organic shapes. For this reason, filberts are particularly useful for painting flower petals and foliage. Our premium quality brushes have coated wood handles labeled with our classic gold lettering, and synthetic bristles that fit into a metal ferrule. Imported from Germany.
by Case for Making · San Francisco, CA
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Case for Making Final 14 Palette
The home stretch of our complete collection! With our Core Collection 48 Palette and The Max Feels 48 Blends Palette , this set adds the final 14 colors to span our full line of handmade paints! This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!
by Case for Making · San Francisco, CA
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Chronicle / Faire Stamp Garden Stamp Set
Cultivate your dream garden with this botanical stamp set! Includes 25 stamps and a 2-color pink/green ink pad.
by Case for Making · San Francisco, CA
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Case for Making CfM Cocoa
Our ultimate blended brown! Cocoa is a careful mix of 6 (!!) of our core collection colors—the most out of all our blends, with Lime and Ruby in close second. Compared to Burnt Umber Dark and Reddish—both beautiful, single origin earth pigments that lend texture and transparency—Cocoa is a smooth, opaque alternative with a lovely ultra-matte finish. The cool thing about Cocoa is that the colors used to make this blend include two different reds, two yellows, and two blues! The fact that mixing the three primaries together creates an unlimited amount of neutrals never ceases to amaze us!
by Case for Making · San Francisco, CA
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JPT ForCOLOR Plastic Eraser - Neon Yellow
The ForCOLOR eraser works great for erasing both graphite and colored pencils. Plus, we love the neon yellow color! Made in Japan. Measures: about 3"…
by Case for Making · San Francisco, CA
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Case for Making CfM Mop Brushes
Mop brushes are naturally fluffy and soft—wonderful for creating light washes or calligraphy script. The bristles puff out a bit, which lends toward beautifully varied brush strokes. They're also handy for lifting a good amount of water when making premixtures! Our premium quality brushes have coated wood handles labeled with our classic gold lettering, and synthetic bristles that fit into a metal ferrule. Imported from Germany. NOTE: please keep the plastic and metal wire wrapping ON! Removing this will ruin the brush, as the wrapping holds the brush hairs together!
by Case for Making · San Francisco, CA
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Case for Making Intuitive Mark-Making with Simmin Joy Holland
SATURDAY, JUNE 27, 2:00 - 4:00pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! This abstract mark-making and mixed media workshop will explore intuitive ways of making marks to develop freedom and confidence in the process. We will begin with activities designed to explore materials and experiment with various approaches to creating marks. We will then cut & collage the papers we created in warm-up activities, add additional material, and explore meaning through the creation of an abstract piece rooted in your unique sensibility.
by Case for Making · San Francisco, CA
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Macpherson's Staedtler Mars Mini Plastic Eraser
We love these mini erasers! Made in Germany of premium vinyl, they erase leaving hardly any residue. Measures: about 1.5" long
by Case for Making · San Francisco, CA
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Case for Making CfM Nebula
The remnants of exploded stars, or new planets forming? Whatever science may decide, it's all here before our very eyes, in the deep reds, bright purples and swirling, electric blues of this ultimate cosmic beauty! CfM Ultra-Blends are custom colors with endless possibilities! Use them with just a bit of water for full, even saturation, or add more water (and a bit more!), let it all pool and dry undisturbed on your paper, and discover worlds upon magical worlds as the colors separate and settle out! This color contains fluorescent pigment, which is not lightfast.
by Case for Making · San Francisco, CA
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SLS Handbook Travelogue Sketchbooks
128 pages / acid-free / accepts light watercolor washes without buckling
by Case for Making · San Francisco, CA
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