Case for Making Burnt Umber Dark
2 colors/styles available — click a swatch to switch
$12.00Sold by Case for Making · San Francisco, CA
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A natural earth pigment that is lightfast and semi-transparent with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. * We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit cracked to sell at full price. Available until we run out!
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Case for Making Burnt Umber Dark
A natural earth pigment that is lightfast and opaque with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water.
by Case for Making · San Francisco, CA
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit too cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
by Case for Making · San Francisco, CA
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Case for Making Cherry Black
This lovely, brownish-black is made entirely from the charred pits of cherries! It's fascinating how many natural black pigments derive from charred plants, bone, or fruit pits— so simple, but such a range of color and texture depending on the materials used! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
by Case for Making · San Francisco, CA
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Case for Making Blackcurrant Red Lake
A smooth, opaque and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
by Case for Making · San Francisco, CA
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Case for Making Pink Pipestone
Pink Pipestone is only currently available in our Natural Earth Palette and Core 36 Palette . *PLEASE NOTE* The harder minerals in this pigment make it grittier than our other colors! This uniquely textured, natural earth pigment is semi-transparent and lightfast. It's sourced from a muted, reddish-pink clay found mainly in Minnesota, the Dakotas and Canada, and the blushy pink color comes from iron oxide (hematite) that seeps into the clay beds over time!
by Case for Making · San Francisco, CA
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Case for Making Blue Ridge Red Hematite
A deep, warm brick red sienna earth pigment with high opacity, lightfastness, and a very consistent and smooth texture. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness. All three of our Blue Ridge colors are natural iron-oxide pigments - clay deposits that over time have been saturated in limonite, which produces a yellow hue, and hematite, which produces a reddish hue.
by Case for Making · San Francisco, CA
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Case for Making Italian Gold Ochre Light
A bright, natural ochre earth pigment sourced in Italy, Italian Gold Ochre Light is lightfast and semi-transparent with a smooth texture. Similar in color to Blue Ridge Yellow Ochre with more transparent qualities. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492.
by Case for Making · San Francisco, CA
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Case for Making Bronze
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Luberon Orange
The perfect earthy orange for painting those rich summer sunsets! This smooth, opaque and lightfast ochre originates from the French quarries of Gargas and Rustrel, nested in the heart of the Luberon Mountains. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY43 (77492).
by Case for Making · San Francisco, CA
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Color Concepts Wood Finisher's Color Wheel
Wood Finisher's Color Wheel Shows how to mix tinting colorants like Raw Umber, Burnt Sienna, Green, etc. to create custom woodtone stains & finishes.
by Highland Woodworking · Atlanta, GA
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Case for Making Magnetite
Magnetite is a naturally occurring black mineral pigment which is also magnetic! Magnetite is also the natural version of Mars Black. Named in 1845 after the location where it was first sourced, Magnesia, Greece, black iron oxide has a long history of use as a pigment. A lustrous, opaque black pigment that is lightfast with a slight texture and cool undertone. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water.
by Case for Making · San Francisco, CA
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Fun colors and a chunky zipper? Yes please! These pouches are a great handy-but-compact option for pens, sharpeners, and all the little supplies you want at the ready wherever you go. Each measures ~8" x 4"
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SLS Handbook Travelogue Sketchbooks
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Case for Making CfM Medium White Palette
This slim and sturdy palette fits up to twenty-four of our handmade watercolors ! It's slightly wider and flatter than our standard Medium Palette , so it's even easier to slide in your backpack with your paint journal! Includes an empty palette with a white lid and silver base. Medium swatch card is also included. Measures approximately 9" x 3.5" x 1/2" when closed. Imported from Germany.
by Case for Making · San Francisco, CA
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Nichiban is la crème de la crème of artist tape! Strong and durable, yet super thin and pliable, it peels off your paper like a dream, revealing a perfect edge every time! Nichiban 207 is 15mm / ~.59" wide and each roll measures 50 meters / 164 feet long. Made in Japan.
by Case for Making · San Francisco, CA
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Introduced in 1935, Winsor & Newton Designers' Gouache is considered by many to be the finest artist-quality gouache available. This Permanent White gouache is a smooth, flat white, and very opaque. Cadmium free and offers full matte coverage. Available in 2 sizes: 14ml and…
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by Case for Making · San Francisco, CA
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Case for Making CfM Small Swatch Card
Our lovely letterpressed watercolor swatch cards! Fits our small tin perfectly and has 14 blind debossed squares to color swatch your CFM Watercolors with space below to write the color names! Comes free with the purchase of a premade set.
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Saikai Allex Large Desk Scissors
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by Case for Making · San Francisco, CA
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