
Case for Making Blue Ridge Red Hematite
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A deep, warm brick red sienna earth pigment with high opacity, lightfastness, and a very consistent and smooth texture. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness. All three of our Blue Ridge colors are natural iron-oxide pigments - clay deposits that over time have been saturated in limonite, which produces a yellow hue, and hematite, which produces a reddish hue.
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Case for Making Blue Ridge Red Hematite
A deep, warm brick red sienna earth pigment with high opacity, lightfastness, and a very consistent and smooth texture. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness. All three of our Blue Ridge colors are natural iron-oxide pigments - clay deposits that over time have been saturated in limonite, which produces a yellow hue, and hematite, which produces a reddish hue.
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Case for Making CfM River Red
When mixing a batch of CfM Riverbed — a rich mix of earth pigments inspired by Heidi Gustafson's Book of Earth —we went a little (a lot) heavy on the Blue Ridge Red Hematite . The upside: a new fave color, and cute punny name, in our lineup! CfM Ultra-Blends are custom colors with endless possibilities! Use them with just a bit of water for full, even saturation, or add more water (and a bit more!), let it all pool and dry undisturbed on your paper, and discover worlds upon magical worlds as the colors separate and settle out!
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Case for Making Pink Pipestone
Pink Pipestone is only currently available in our Natural Earth Palette and Core 36 Palette . *PLEASE NOTE* The harder minerals in this pigment make it grittier than our other colors! This uniquely textured, natural earth pigment is semi-transparent and lightfast. It's sourced from a muted, reddish-pink clay found mainly in Minnesota, the Dakotas and Canada, and the blushy pink color comes from iron oxide (hematite) that seeps into the clay beds over time!
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Case for Making Burnt Umber Reddish
A natural earth pigment that is lightfast and opaque with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
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Case for Making Magnetite
Magnetite is a naturally occurring black mineral pigment which is also magnetic! Magnetite is also the natural version of Mars Black. Named in 1845 after the location where it was first sourced, Magnesia, Greece, black iron oxide has a long history of use as a pigment. A lustrous, opaque black pigment that is lightfast with a slight texture and cool undertone. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water.
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Case for Making Rouge Vermilion
A deep reddish-pink Vermilion pigment formulated synthetically to simulate the characteristics of the mineral pigment Vermilion and eliminate the use of mercury. This rich color has very high opacity and a smooth texture. True Vermilion is a brilliant red pigment with a rich history of being used throughout history and around the world from Ancient Rome’s decorative arts and the illuminated manuscripts of the Middle Ages to lacquerware in China since the Song dynasty. It was even used as a rouge-like cosmetic in ancient West Asia.
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Case for Making Luberon Orange
The perfect earthy, ochre orange for those rich summer sunsets! We are so excited to add Luberon Orange to our earth pigment collection. Luberon orange originates from ocher deposits in the French quarries of Gargas and Rustrel nested in a 12 mile long enclave in the heart of the Luberon Mountains. This pigment has a smooth, rich, and opaque color payoff and is also lightfast.
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Case for Making Genuine Indigo
This rich blue is in a category all its own—its depth and range exceeds any other color we can think of! Compared with Synthetic Indigo , our Genuine Indigo is a bit more textured and deeper in tone. Both are fantastic for layering, glazing, and color mixing (a little bit goes a long way!) and are wonderfully opaque at full saturation. Genuine Indigo is derived from the Indigofera tinctoria plant through a fermentation process, and further refined to achieve greater saturation and intensity.
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Case for Making French Ochre Sahara
A rich yellow-toned green-brown earth pigment from France. This color offers a smooth consistency, high opacity and lightfastness. * We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
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Case for Making Blackcurrant Red Lake
A smooth, opaque and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
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Case for Making Mineral Violet
A smooth and consistent red-tinted synthetic violet. This color is smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .
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Case for Making Primary Red
A synthetic deep, cool red with high opacity and lightfastness. Paints with a very consistent smooth texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
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Case for Making CfM Oxalis
CfM Oxalis captures the cheery yellow of the California wildflower also known as Woodsorrel, which Bay Area locals might remember from childhood as Sourgrass. Here in San Francisco, Oxalis seems to pop up from every available patch of soil in mid-February, and we wanted to celebrate this annual harbinger of spring! Oxalis flowers make a wonderful, potent natural yellow dye, and CfM Oxalis was inspired by the flower and the slightly more orange dye bath.
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Case for Making CfM Travel Palette Swatch Card
We love our letterpressed watercolor swatch cards - they're fun and cute and oh so useful! This debossed swatch card features 12 indentations for color swatches - made to fit in our Simple Travel Palette. This card comes free with all travel size premade watercolor sets.
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Case for Making CfM Mop Brushes
Mop brushes are naturally fluffy and soft—wonderful for creating light washes or calligraphy script. The bristles puff out a bit, which lends toward beautifully varied brush strokes. They're also handy for lifting a good amount of water when making premixtures! Our premium quality brushes have coated wood handles labeled with our classic gold lettering, and synthetic bristles that fit into a metal ferrule. Imported from Germany. NOTE: please keep the plastic and metal wire wrapping ON! Removing this will ruin the brush, as the wrapping holds the brush hairs together!
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Case for Making Color Conversations with Alexis Joseph
TUESDAY, JUNE 23, 6:30pm - 8:30pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Ever stood in front of a painting wishing you had your paints with you? This workshop was born from exactly that feeling. We'll use projected abstract artworks as our reference and build a color map together -- a kind of paint-by-numbers where the "numbers" are your own personal notes about the colors you see.
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Saikai Allex Medium Non-Stick Scissors
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Hero Arts / Faire Hero Arts Woodblock Letter Rubber Stamp Sets
Compact, easy to grip letter stamps in a playful font! These uppercase and lowercase sets are great to have around for gift tags, cards, cubby labels and more. Try them with our colorful Yellow Owl All-Surface Ink Pads ! Uppercase package measures ~1 .75" x wide x 3.25" long x 1 .75"; each letter is ~1/4" Lowercase package measures ~2" x wide x 2.75" long x 1.75" high; each letter is ~1/4"
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Camtray Studio Trays
Can we use a classic cafeteria tray in the studio? If it's cute and retro, we say yes! These colorful, lightweight fiberglass trays have the added benefits of reinforced edges and an easy-to-clean, dishwasher-safe finish. You can see why we're obsessed . . .
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Blackwing One-Step Pencil Sharpener
The Blackwing One-Step Sharpener creates a long, curved point designed to resist breakage. Blades are replaceable once dull. The canister holds three full sharpens before needing to be emptied. Body is made of durable aluminum and the sharpener features a German steel blade. Light weight, fits in the palm of your hand and is easy to bring in your everyday carry tote.
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SLS Faber Castell Oil Pastel Set
Faber Castell Oil Pastel set features 12 vibrant colors that are opaque, blendable, and super smooth! Fun for mixed media projects and good for kids as well! Contained in a durable, convenient, clear plastic carrying case. Non-toxic and acid free.
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Case for Making Support for groundbreaking carbon removal technologies.
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SLS Hahnemuhle 100% Cotton Watercolor Book – Square
Lovely hardcover watercolor books for you to fill with your creations! The gently textured, 250lb sheets can hold up to layers and wet-on-wet work. Perfect for studio and travel ! Small measures 5.5 x 5.5" / Medium measures 7.7 x 7.7" 60 pages each / cold press / natural white…
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Case for Making Empty Art Toolkit Palettes
We love Art Toolkit palettes for their sleek, all-metal design and ultra-portability! We're so excited to offer two sizes and colors of these adorable, pocket-sized cases, each in its own screenprinted canvas drawstring bag. Build your own dream set with our handmade paints in Art Toolkit's Standard and Mini sized pans—you can find them all here ! Art Toolkit's Pocket Palette can fit up to 12 Art Toolkit Standard Pans or 24 Mini Pans (pans sold separately). The case measures 3-5/8" x 2-1/4" x 1/4" (~92mm x 64mm x 7mm) when closed.
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