Case for Making Genuine Indigo

Indigo was one of our first handmade watercolors, a must-have in a palette! This rich synthetic color simulates genuine Indigo and provides a wide range of tones—at its darkest it appears almost black! Genuine Indigo is extracted from the leaves of the Indigo plant (Indigofera Tinctoria) through a fermentation process. It's one of the oldest natural dyes used historically across India, China, and Japan for textiles and printing, and was the only source of the color until around 1900, when it was first formulated synthetically for commercial use.

by Case for Making · San Francisco, CA

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This favorite blue is incredibly versatile: a delicate hint when mixed with lots of water, and an opaque beauty with great covering capacity at full saturation. It's the answer to our craving for a creamy, soft blue that makes us feel calm and cool, and we absolutely love how it works alongside bolder blends like Moss and Poppy! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!

by Case for Making · San Francisco, CA

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This is perhaps the richest ochre we've made yet, with the most consistent and smooth texture. It's a highly opaque and lightfast deep gold that sits extremely matte, but can be watered down to subtle yellows or tinted to an opaque pastel. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness.

by Case for Making · San Francisco, CA

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A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit too cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!

by Case for Making · San Francisco, CA

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TransTint Dyes When color accuracy, consistency, and professional-grade results are essential, craftsmen choose TransTint concentrated wood dyes. TransTint…

by Infinity Tools · Oldsmar, FL

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A cool, deep purple-brown natural earth pigment with high opacity, lightfastness, and a very consistent and smooth texture with a matte finish. At its most opaque, it's just slightly metallic, thanks to its high concentration of hematite. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness.

by Case for Making · San Francisco, CA

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A natural earth pigment that is lightfast and opaque with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!

by Case for Making · San Francisco, CA

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A natural earth pigment that is lightfast and opaque with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water.

by Case for Making · San Francisco, CA

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A smooth, semi-opaque and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a to a reproduced loam, which gives it a soft, velvety matte finish when dry. We've included a side-by-side image so you can see how French Pale Green compares to Nicosia , which looks a lot like French Pale Green when fully saturated, but is a bit smoother and more opaque.

by Case for Making · San Francisco, CA

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A soft blue-violet in the synthetic Ultramarine family. Opaque, very lightfast, and paints with a consistent smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .

by Case for Making · San Francisco, CA

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A smooth, semi-transparent and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.

by Case for Making · San Francisco, CA

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This swatch card is designed to fit in the lid of our x-large tin so that you can see each of your colors swatched on paper to ease your painting process. Equally useful and just as fun to fill in! This debossed swatch card features 48 indentations for color swatches - made to fit in our X-Large Palette. This product comes free with our 48 Color Large pre-made set.

by Case for Making · San Francisco, CA

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Our lovely letterpressed watercolor swatch cards! Fits our small tin perfectly and has 14 blind debossed squares to color swatch your CFM Watercolors with space below to write the color names! Comes free with the purchase of a premade set.

by Case for Making · San Francisco, CA

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In the world of brush options, there's no substitute for the filbert's flat, oval tip when laying down, or filling in, rounded organic shapes. For this reason, filberts are particularly useful for painting flower petals and foliage. Our premium quality brushes have coated wood handles labeled with our classic gold lettering, and synthetic bristles that fit into a metal ferrule. Imported from Germany.

by Case for Making · San Francisco, CA

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Cultivate your dream garden with this botanical stamp set! Includes 25 stamps and a 2-color pink/green ink pad.

by Case for Making · San Francisco, CA

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TUESDAY, JUNE 23, 6:30pm - 8:30pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Ever stood in front of a painting wishing you had your paints with you? This workshop was born from exactly that feeling. We'll use projected abstract artworks as our reference and build a color map together -- a kind of paint-by-numbers where the "numbers" are your own personal notes about the colors you see.

by Case for Making · San Francisco, CA

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The home stretch of our complete collection! With our Core Collection 48 Palette and The Max Feels 48 Blends Palette , this set adds the final 14 colors to span our full line of handmade paints! This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!

by Case for Making · San Francisco, CA

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We just can't help ourselves, the colors keep on coming—so much so that our original Custom Feels set has expanded twice! This set comes in our CFM Large Palette , which we love for its spacious mixing wells and easy-to-clean design. All of our premade sets include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!

by Case for Making · San Francisco, CA

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Saturday, July 18, 11:00am - 12:30pm PT This is an online workshop held via Zoom. Mother Nature continues to be one of our best muses! Butterflies have been a popular motif historically in art and design, perhaps for their fleeting beauty and fragility, and watercolour is the perfect medium to explore their iridescent wings. In this session we’ll be studying butterflies & moths and observing their wide range of patterns and textures - their symmetry allows for repetition and practicing techniques.

by Case for Making · San Francisco, CA

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Mop brushes are naturally fluffy and soft—wonderful for creating light washes or calligraphy script. The bristles puff out a bit, which lends toward beautifully varied brush strokes. They're also handy for lifting a good amount of water when making premixtures! Our premium quality brushes have coated wood handles labeled with our classic gold lettering, and synthetic bristles that fit into a metal ferrule. Imported from Germany. NOTE: please keep the plastic and metal wire wrapping ON! Removing this will ruin the brush, as the wrapping holds the brush hairs together!

by Case for Making · San Francisco, CA

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Lovely hardcover watercolor books for you to fill with your creations! The gently textured, 250lb sheets can hold up to layers and wet-on-wet work. Perfect for studio and travel ! Small measures 5.5 x 5.5" / Medium measures 7.7 x 7.7" 60 pages each / cold press / natural white…

by Case for Making · San Francisco, CA

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Grab a digital gift card for all your art-supply-loving friends and family! Gift cards can be used in our shop and online for both products and workshops! Please Note: If you'd like the digital gift card to go directly to the recipient, check "I want to send this as a gift" before adding to cart, and fill in the required fields. Use the date field to select the specific date you'd like the card to be emailed.

by Case for Making · San Francisco, CA

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Have you ever wanted to try watercolor paper that isn't just white? These watercolor journals offer toned pages for a different look and feel! Try mixing it up with tan toned paper. These books are great for travel and the design features a linen cover, an elastic band to keep secure, and a red ribbon bookmark. Each book is 200gsm (95lbs) and 60 pages. Available in two sizes - A6 small (4.1" x 5.8") or A5 medium (5.8" x 8.3")

by Case for Making · San Francisco, CA

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