
Case for Making Burnt Umber Dark
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$6.00Sold by Case for Making · San Francisco, CA
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A natural earth pigment that is lightfast and opaque with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water.
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Case for Making Burnt Umber Dark
A natural earth pigment that is lightfast and semi-transparent with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. * We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit cracked to sell at full price. Available until we run out!
by Case for Making · San Francisco, CA
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit too cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
by Case for Making · San Francisco, CA
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Case for Making Blackcurrant Red Lake
A smooth, opaque and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
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Case for Making Cherry Black
This lovely, brownish-black is made entirely from the charred pits of cherries! It's fascinating how many natural black pigments derive from charred plants, bone, or fruit pits— so simple, but such a range of color and texture depending on the materials used! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
by Case for Making · San Francisco, CA
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Case for Making CfM Velvet
The deep, warm burgundy of our dreams! It's rich and earthy, with a magenta undertone that gives it just the right pop! This color contains Carmine pigment, which is not lightfast. Fading can be reduced by coating finished pieces in a UV protective varnish and/or keeping them out of direct sunlight. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
by Case for Making · San Francisco, CA
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Case for Making Magnetite
Magnetite is a naturally occurring black mineral pigment which is also magnetic! Magnetite is also the natural version of Mars Black. Named in 1845 after the location where it was first sourced, Magnesia, Greece, black iron oxide has a long history of use as a pigment. A lustrous, opaque black pigment that is lightfast with a slight texture and cool undertone. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water.
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Case for Making Graphite
Made from true fine graphite powder, this naturally occurring pigment offers great opacity, depth and a very smooth texture. Graphite is the most stable form of the element carbon. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor.
by Case for Making · San Francisco, CA
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Case for Making Sky Blue Lake
A smooth, semi-transparent and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
by Case for Making · San Francisco, CA
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Case for Making Italian Gold Ochre Light
A bright, natural ochre earth pigment sourced in Italy, Italian Gold Ochre Light is lightfast and semi-transparent with a smooth texture. Similar in color to Blue Ridge Yellow Ochre with more transparent qualities. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492.
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Case for Making Synthetic Indigo
Indigo was one of our first handmade watercolors, a must-have in a palette! This rich synthetic color simulates Genuine Indigo and provides a wide range of tones—at its darkest it appears almost black! Both colors are fantastic for layering, glazing, and color mixing (a little bit goes a long way!) and are wonderfully opaque at full saturation. Genuine Indigo is derived from the Indigofera tinctoria plant through a fermentation process, and further refined to achieve greater saturation and intensity.
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Case for Making Green Earth Yellowish
A natural yellow-toned green earth pigment that is lightfast, opaque with a smooth texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 23.77009. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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