
Case for Making Luberon Orange
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$6.00Sold by Case for Making · San Francisco, CA
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The perfect earthy, ochre orange for those rich summer sunsets! We are so excited to add Luberon Orange to our earth pigment collection. Luberon orange originates from ocher deposits in the French quarries of Gargas and Rustrel nested in a 12 mile long enclave in the heart of the Luberon Mountains. This pigment has a smooth, rich, and opaque color payoff and is also lightfast.
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Case for Making Luberon Orange
The perfect earthy orange for painting those rich summer sunsets! This smooth, opaque and lightfast ochre originates from the French quarries of Gargas and Rustrel, nested in the heart of the Luberon Mountains. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY43 (77492).
by Case for Making · San Francisco, CA
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Case for Making Blue Ridge Yellow Ochre
This is perhaps the richest ochre we've made yet, with the most consistent and smooth texture. It's a highly opaque and lightfast deep gold that sits extremely matte, but can be watered down to subtle yellows or tinted to an opaque pastel. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness.
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Case for Making French Ochre Sahara
A rich yellow-toned green-brown earth pigment from France. This color offers a smooth consistency, high opacity and lightfastness. * We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
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Case for Making Burnt Umber Reddish
A natural earth pigment that is lightfast and opaque with slight texture. Umbers are brown or reddish-brown natural earth colors. This pigment consist of iron oxide and manganese oxide and in it's natural form is raw umber. After the pigment is heated, the color becomes darker and richer, transforming into burnt umber. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
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Case for Making Venetian Red
A deep and warm earth color, similar to a deep scarlet, Venetian Red is opaque and lightfast with a smooth and consistent texture. This pigment comes from the southern Italian Alps, which is a rich source of very old earth pigments preserved by overlapping volcanic rock. It consists almost completely of ferric oxide derived from hematite, a crystalline-structured mineral form of iron(lll) oxide. Venetian Red was a color widely used in Italian Renaissance painting beginning in the 14th century.
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Case for Making Rouge Vermilion
A deep reddish-pink Vermilion pigment formulated synthetically to simulate the characteristics of the mineral pigment Vermilion and eliminate the use of mercury. This rich color has very high opacity and a smooth texture. True Vermilion is a brilliant red pigment with a rich history of being used throughout history and around the world from Ancient Rome’s decorative arts and the illuminated manuscripts of the Middle Ages to lacquerware in China since the Song dynasty. It was even used as a rouge-like cosmetic in ancient West Asia.
by Case for Making · San Francisco, CA
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Case for Making Italian Gold Ochre Light
A bright, natural ochre earth pigment sourced in Italy, Italian Gold Ochre Light is lightfast and semi-transparent with a smooth texture. Similar in color to Blue Ridge Yellow Ochre with more transparent qualities. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492.
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Case for Making CfM Sand
CfM Sand was inspired by the sand dunes down the street from our shop. CfM Sand, along with CfM Celadon, make up our 2023 'ode to summer' colors and are great to bring along with you on any trip to the beach! We crafted it to be the perfect balance of the warmth of French Ochre Very Light and the coolness of Buff Titanium. It's soft, slightly opaque and oh so lovely! CfM Sand is a warm, light tone but has wonderful covering power and tinting strength.
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Case for Making Genuine Indigo
This rich blue is in a category all its own—its depth and range exceeds any other color we can think of! Compared with Synthetic Indigo , our Genuine Indigo is a bit more textured and deeper in tone. Both are fantastic for layering, glazing, and color mixing (a little bit goes a long way!) and are wonderfully opaque at full saturation. Genuine Indigo is derived from the Indigofera tinctoria plant through a fermentation process, and further refined to achieve greater saturation and intensity.
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
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Case for Making Magnetite
Magnetite is a naturally occurring black mineral pigment which is also magnetic! Magnetite is also the natural version of Mars Black. Named in 1845 after the location where it was first sourced, Magnesia, Greece, black iron oxide has a long history of use as a pigment. A lustrous, opaque black pigment that is lightfast with a slight texture and cool undertone. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water.
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Rust-Oleum Ultra Cover Multi-Purpose Gloss Sun Yellow Brush-On Paint, 1 Quart
Rust-Oleum Ultra Cover Multi-Purpose Gloss Sun Yellow Brush-On Paint, 1 Quart offers a vibrant and durable finish that brightens and protects a variety of…
by Hartville Hardware · Hartville, OH
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Case for Making CfM Small Swatch Card
Our lovely letterpressed watercolor swatch cards! Fits our small tin perfectly and has 14 blind debossed squares to color swatch your CFM Watercolors with space below to write the color names! Comes free with the purchase of a premade set.
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Chronicle / Faire Stamp Garden Stamp Set
Cultivate your dream garden with this botanical stamp set! Includes 25 stamps and a 2-color pink/green ink pad.
by Case for Making · San Francisco, CA
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Case for Making Watercolor Paint-Making with Alexis Joseph
SATURDAY, JULY 25, 2:00pm - 5:00pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Join Case for Making shop owner Alexis Joseph a 3-hour watercolor paint-making class in our new space! We’ll cover what goes into watercolor medium and why it works so well, along with all the tools and processes necessary to make your own watercolors. We'll also explore synthetic, earth and mineral lake pigments and see how different pigments respond to the paint-making process.
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SLS Hahnemühle Tan Toned Watercolor Book
Have you ever wanted to try watercolor paper that isn't just white? These watercolor journals offer toned pages for a different look and feel! Try mixing it up with tan toned paper. These books are great for travel and the design features a linen cover, an elastic band to keep secure, and a red ribbon bookmark. Each book is 200gsm (95lbs) and 60 pages. Available in two sizes - A6 small (4.1" x 5.8") or A5 medium (5.8" x 8.3")
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SLS Sakura Sumo Grip Eraser
This latex-free, black eraser is a staff favorite and works to limit the amount of eraser shavings that collect on your work surface into one big shaving for easy clean up! Sakura Sumo Grip Erasers feature a microporous, open-cell foam technology that works like ultra-fine sandpaper to get into the grooves and pits of the paper surface. Measures: about 2"…
by Case for Making · San Francisco, CA
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Case for Making Empty Art Toolkit Palettes
We love Art Toolkit palettes for their sleek, all-metal design and ultra-portability! We're so excited to offer two sizes and colors of these adorable, pocket-sized cases, each in its own screenprinted canvas drawstring bag. Build your own dream set with our handmade paints in Art Toolkit's Standard and Mini sized pans—you can find them all here ! Art Toolkit's Pocket Palette can fit up to 12 Art Toolkit Standard Pans or 24 Mini Pans (pans sold separately). The case measures 3-5/8" x 2-1/4" x 1/4" (~92mm x 64mm x 7mm) when closed.
by Case for Making · San Francisco, CA
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Case for Making Color Conversations with Alexis Joseph
TUESDAY, JUNE 23, 6:30pm - 8:30pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Ever stood in front of a painting wishing you had your paints with you? This workshop was born from exactly that feeling. We'll use projected abstract artworks as our reference and build a color map together -- a kind of paint-by-numbers where the "numbers" are your own personal notes about the colors you see.
by Case for Making · San Francisco, CA
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SLS Faber Castell Oil Pastel Set
Faber Castell Oil Pastel set features 12 vibrant colors that are opaque, blendable, and super smooth! Fun for mixed media projects and good for kids as well! Contained in a durable, convenient, clear plastic carrying case. Non-toxic and acid free.
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Case for Making CfM Filbert Brushes
In the world of brush options, there's no substitute for the filbert's flat, oval tip when laying down, or filling in, rounded organic shapes. For this reason, filberts are particularly useful for painting flower petals and foliage. Our premium quality brushes have coated wood handles labeled with our classic gold lettering, and synthetic bristles that fit into a metal ferrule. Imported from Germany.
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Case for Making Ultimate Feels 36 Blends Palette
We just can't help ourselves, the colors keep on coming—so much so that our original Custom Feels set has expanded twice! This set comes in our CFM Large Palette , which we love for its spacious mixing wells and easy-to-clean design. All of our premade sets include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!
by Case for Making · San Francisco, CA
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Saikai Allex Small Slim Scissors
by Case for Making · San Francisco, CA
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Case for Making Expanded Desert Palette
Our original California Desert Palette celebrates the wonders of Joshua Tree National Park, and this expanded palette adds even more color to capture, or find inspiration in, this cherished California landscape ! This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!
by Case for Making · San Francisco, CA
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