Case for Making Cerulean

A synthetic bright, cool blue with high opacity and lightfastness. Cerulean paints with a very consistent smooth texture. Discovered by Swiss chemist Albrecht Hopfner in 1789 and introduced to a wider market in the UK by art materials manufacturer George Rowney in the 1860s, it became an important addition to synthetic blues of the time like Prussian Blue, Cobalt Blue and Ultramarine and is still coveted for its opacity and use in painting skies. Berthe Morisot used the color in her 1879 painting Summer’s Day.

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A vivid and rich blue, Ultramarine Blue was first formulated in 1828 by chemist Guillemet as a synthetic reproduction of the expensive and rare mineral pigment Lapis Lazuli, whose color extraction process is also very labor intensive. Ultramarine Blue was the beautiful, affordable and stable alternative for artists. Opaque, very lightfast, and paints with a consistent smooth texture.

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A bright orange-red vermilion pigment formulated synthetically to simulate the characteristics of the mineral pigment Vermilion and eliminate the use of mercury. This rich color has high opacity, good lightfastness and a smooth texture. True Vermilion is a brilliant red pigment with a rich history of being used throughout history and around the world from Ancient Rome’s decorative arts and the illuminated manuscripts of the Middle Ages to lacquerware in China since the Song dynasty. It was even used as a rouge-like cosmetic in ancient West Asia.

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Stormy, stormy, we love you!! The story behind this color is that when we dreamt it up it was called Steel Blue. But, as soon as we painted with it—after mixing and tweaking the recipe to get it just right—its true name emerged so clearly to us. CfM Storm is m oody and cozy at the same time. It's a deep, dark and gloomy blue perfect for painting the night sky, dark shadows, and the distant, deepest ocean!

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A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit too cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!

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The perfect earthy, ochre orange for those rich summer sunsets! We are so excited to add Luberon Orange to our earth pigment collection. Luberon orange originates from ocher deposits in the French quarries of Gargas and Rustrel nested in a 12 mile long enclave in the heart of the Luberon Mountains. This pigment has a smooth, rich, and opaque color payoff and is also lightfast.

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Indigo was one of our first handmade watercolors, a must-have in a palette! This rich synthetic color simulates Genuine Indigo and provides a wide range of tones—at its darkest it appears almost black! Both colors are fantastic for layering, glazing, and color mixing (a little bit goes a long way!) and are wonderfully opaque at full saturation. Genuine Indigo is derived from the Indigofera tinctoria plant through a fermentation process, and further refined to achieve greater saturation and intensity.

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This is perhaps the richest ochre we've made yet, with the most consistent and smooth texture. It's a highly opaque and lightfast deep gold that sits extremely matte, but can be watered down to subtle yellows or tinted to an opaque pastel. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness.

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Explore our custom blends with this monochromatic set of eight, including blue and violet tones! This set comes in our compact and elegant Simple Travel Palette in Ultramarine Blue. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!

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A soft blue-violet in the synthetic Ultramarine family. Opaque, very lightfast, and paints with a consistent smooth texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .

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A warm, white pigment that is lightfast and semi-opaque with a smooth texture, Kremer White is a signature white made by our friends Kremer Pigmente in Germany from zirconium oxide. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: 77995. All of our watercolors conform to ASTM D-4236 .

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A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .

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The pen that inspired Case for Making at the very beginning of it all! This premium gel ink pen features smear-proof bio-polymer ink designed for clear crisp lines and smooth writing. Available in 3 variations: 0.25, 0.3, 0.4 line weights.

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Our original California Desert Palette celebrates the wonders of Joshua Tree National Park, and this expanded palette adds even more color to capture, or find inspiration in, this cherished California landscape ! This set comes in our CfM Small Palette , which we love for its handy mixing wells and easy-to-clean design. Our premade sets also include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!

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Our favorite replacement mechanical pencil lead! Pentel’s Super Hi-Polymer pencil lead is one of the strongest and highest quality leads on the market. Formulated to improve strength, retain darkness and smoothness, and reduce the risk of breakage. We offer it in the HB which is a wonderful general-use pencil lead hardness. 12 leads / pack Available in - 0.3mm, 0.5mm, 0.7mm, &amp…

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Our lovely letterpressed watercolor swatch cards! Fits our small tin perfectly and has 14 blind debossed squares to color swatch your CFM Watercolors with space below to write the color names! Comes free with the purchase of a premade set.

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Quick-setting adhesive for paper, cardboard, photos, and more! These twistable glue sticks are non-toxic, non-staining, and washable! The formula is clear and dries in under a minute. Available in - 0.74oz (21g)…

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Saturday, July 18, 11:00am - 12:30pm PT This is an online workshop held via Zoom. Mother Nature continues to be one of our best muses! Butterflies have been a popular motif historically in art and design, perhaps for their fleeting beauty and fragility, and watercolour is the perfect medium to explore their iridescent wings. In this session we’ll be studying butterflies & moths and observing their wide range of patterns and textures - their symmetry allows for repetition and practicing techniques.

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Our ultimate blended brown! Cocoa is a careful mix of 6 (!!) of our core collection colors—the most out of all our blends, with Lime and Ruby in close second. Compared to Burnt Umber Dark and Reddish—both beautiful, single origin earth pigments that lend texture and transparency—Cocoa is a smooth, opaque alternative with a lovely ultra-matte finish. The cool thing about Cocoa is that the colors used to make this blend include two different reds, two yellows, and two blues! The fact that mixing the three primaries together creates an unlimited amount of neutrals never ceases to amaze us!

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Faber Castell Oil Pastel set features 12 vibrant colors that are opaque, blendable, and super smooth! Fun for mixed media projects and good for kids as well! Contained in a durable, convenient, clear plastic carrying case. Non-toxic and acid free.

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We love these mini erasers! Made in Germany of premium vinyl, they erase leaving hardly any residue. Measures: about 1.5" long

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Thursday, July 30, 5:00pm - 6:30pm PT This is an online workshop held via Zoom. Dorothy Hood was born in 1918 and spent her life in both Mexico and Texas. Her large abstract paintings are full of hard and soft edges, moments where the paint pools and gathers and places where the paint makes crisp lines and angles. Her colors are bold and inspired by the full range of colors found in both Mexico and Texas. With watercolors, we will play with some of Dorothy’s shapes by creating hard edges with tape, letting the watercolors be soft and blend, and create dynamic shapes with layered colors.

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With the Watercolor Accessories Bundle you're saving $16! You have your paints now all you need are the accessories! In this convenient bundle you receive a porcelain Cloutier Ceramics square mixing palette and water bowl, along with a Brush Buddy brush cleanser and conditioner, an unbleached cotton studio cloth and a size 10 flat brush!

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The ForCOLOR eraser works great for erasing both graphite and colored pencils. Plus, we love the neon yellow color! Made in Japan. Measures: about 3"…

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