Rebecca Atwood Designs Marbled Stripe Wallpaper in Mist

This design started when Rebecca experimented with marbling papers using India ink in the suminagashi technique. The irregular marbled designs reference the coastal elements – patterning on small rocks, swirling ocean pools, and the landscape itself ever shifting from the tides.

by Rebecca Atwood · South Carolina

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T his design began with a marbled paper Rebecca created using India ink in the suminagashi technique. She then elongated the marble into a stripe on the computer, to reference the rippled sand patterns on the shore at low tide. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

This design started when Rebecca experimented with marbling papers using India ink in the suminagashi technique. The irregular marbled designs reference the coastal elements – patterning on small rocks, swirling ocean pools, and the landscape itself ever shifting from the tides. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

This happy dash pattern started out as a sketch with India Ink on a large sheet of paper. Rebecca loved how the combination of the same mark in two shades created a graphic statement. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

A cut paper collage of hand-painted stripes from Rebecca’s sketchbook inspired the mixed stripe pattern.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

Hand-painted diagonal dashes compose diamonds in this new classic wallpaper design that, like many of Rebecca’s favorites, explores the beauty in repetitive mark making. Each line is a single stroke that fades from dark to light with the paint on the brush, and infused with nuance and personality.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

This design began as a cut paper collage in Rebecca’s sketchbook. She had cut out circles to use in another collage and loved the strips that were left behind as a pattern all their own.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

These small looped circles started as a painting in Rebecca’s sketchbook. The repetition of mark making creates a layered design that references water falling.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

This softly splattered pattern was inspired by the surface of a sleepy and still bay at dusk. It has a relaxing effect, recalling soft and dreamy light reflecting off the water.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

This loose, painterly plaid started as a holiday card that Rebecca drew in watercolor pencil. She loved how the hazy effect of the pencil created a multicolor stripe that’s bright but livable and versatile. After using the fabric in her own home, she decided to print a wallpaper too. We used our non-woven fibre paper, but it almost has the feeling of grasscloth because it reads texturally.

by Rebecca Atwood · South Carolina

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Rebecca wanted to design something soft and textural as if she had just slowly moved her brush up and down in small repetitive marks along a wall or across a piece of fabric—which is in fact how she painted this pattern but on a piece of paper. The soft texture created by a brush with only a bit of paint left on it creates a cozy soothing feeling, almost like white noise. Use this pattern like you would a grasscloth or texture. It’s soft and easy to mix with other patterns.

by Rebecca Atwood · South Carolina

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This charming pattern tells a story in its squares. Composed of two overlapping brush strokes, each block has a unique texture and dimension that make it look almost like a mini watercolor landscape. Our painterly take on a classic checkerboard motif, it’s meant to be layered with other patterns. It’s simple enough to serve as a tonal base layer, and striking enough to make a statement on its own.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

A large-scale painterly pattern filled with movement and inspired by the slow bloom of spring. Small marks uncurl into leaves and blossoms. The original artwork was painted to scale with India Ink on a stretch of rolled paper. For pillow fabric details please click here.

by Rebecca Atwood · South Carolina

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Designed to coordinate with our Bubbles mural to continue the pattern onto a ceiling, this subtle print looks equally lovely on its own. It calls to mind fading seafoam or falling grains of sand, but without the larger mural for context it can also read as floating specks of dust, snow flurries, or tiny drops of beaded rain, all softly illuminated and suspended in motion. Like our Petals pattern, it’s enveloping in a gentle way, and it’s ideal for a quiet, calm environment.

by Rebecca Atwood · South Carolina

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A small vintage fabric cutting Rebecca found in Tokyo, Japan inspired this fabric. It was a small-scale print that read geometric but also like a floral. She loved this idea for a textural woven and redrew the motif, adding the softness of her hand and increasing the size so that it would translate well as a woven. She thought a lot about landscape textures and how we need these textures in our homes to create the environment that feels best to us. Use this fabric to cover a sofa in a field of flowers, but viewed at a distance for a soft and easy vibe.

by Rebecca Atwood · South Carolina

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This fabric is intended for indoor use. For our first “solid” fabric, Rebecca wanted something that would be durable and a great basic, but that also made it easier to layer within a color palette—or even build one from. We rarely see flat colors in big swaths in nature. Our natural world is so complex. We see a field of grass, but it’s full of tonal variation and movement. She wanted to explore this concept in an upholstery fabric as if you covered your sofa in a natural landscape. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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A new, smaller take on our signature Hills pattern, which originated as a potato print. Screen printed on linen, the rounded shapes are graphic yet harmonious. The subtle, expressive texture and slight variation in saturation come from the stamping motion of the original artwork. The smaller scale makes the pattern more textural and easy to layer. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

This pattern began as a painting Rebecca made thinking about the shapes of spring, and how everything slowly blooms in layers until it’s a full burst of a garden. This fabric is available as a pillow here . This fabric is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

The subtly varying colors of this intricate marbled textile make it so very special. Rebecca’s original suminagashi artwork, done in india ink on rice paper, references geological and coastal elements. We love how the weaving process captures its variations, enriching its colors and textures with artisan-dyed warp yarn and making it a dynamic choice for layering. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

A customer favorite, this abstract botanical is a strong, grounding foundation for a room. Rebecca began drawing it on vacation in Zihuatanejo, Mexico, taking in the movement and color of the landscape; it’s also inspired by the still, quiet energy of tree pose in yoga. The dotted ground allows you to introduce color in a soft but impactful way, making it quite versatile.

by Rebecca Atwood · South Carolina

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Alternating rectangular shapes are formed from small lines of color. This happy geometric pattern recalls candy shops, vintage textiles, men’s ties, and childhood memories. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

Thickets of berry bushes inspired the name for this indoor upholstery-weight fabric. Woven from a soft, nubby cotton-wool blend, each of the colors contains all the pigments Rebecca would use if she were mixing it with her paints. Neutral green CAMELLIA LEAF is inspired by the flowers in Rebecca’s yard and all over Charleston, with their creamy pink petals, dark foliage, and yellow-green buds—even a hint of blue sky. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

The subtly varying colors of this intricate marbled textile make it so very special. Rebecca’s original suminagashi artwork, done in india ink on rice paper, references geological and coastal elements. We love how the weaving process captures its variations, enriching its colors and textures with artisan-dyed warp yarn and making it a dynamic choice for layering. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

Loose abstract florals bloom in cascading diagonal rows. Printed on natural and metallic grasscloths, it instantly infuses any space with its forward momentum and happy energy.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina