Rebecca Atwood Designs Gems Wallpaper in Terracotta

Like most, this pattern began as a painting in Rebecca's sketchbook. She was exploring small shapes and marks to create little gems, which create a playful texture when repeated. The multi-color palette and the subtle texture of the small-scale pattern make this design easy to pair with others. This fabric is available as a pillow here . This fabric is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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Rebecca’s take on a geometric pattern, this diamond motif has the soft, delicate texture of a loose braid. It’s graphic but gentle, and offers a full palette of complementary colors you can pull from to build a room.

by Rebecca Atwood · South Carolina

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This happy dash pattern started out as a sketch with India Ink on a large sheet of paper. Rebecca loved how the combination of the same mark in two shades created a graphic statement. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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Irregular round shapes layer together to create a textural pattern that adds warmth and interest to a room. Viewed up close the pattern is painterly, and even a little playful. From a distance, the pattern reads as texture and color that warms up a space. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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This pattern started as a color experiment in Rebecca’s sketchbook as she played with layering blocks of color next to one another in tonal shades (or in the case of the multi-colored one – the occasional pop). She loved the subtle variation that happened and the process of slowly building a motif bit by bit. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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Rebecca wanted to design something soft and textural as if she had just slowly moved her brush up and down in small repetitive marks along a wall or across a piece of fabric—which is in fact how she painted this pattern but on a piece of paper. The soft texture created by a brush with only a bit of paint left on it creates a cozy soothing feeling, almost like white noise. Use this pattern like you would a grasscloth or texture. It’s soft and easy to mix with other patterns. The finish has a slight sheen that reflects light beautifully.

by Rebecca Atwood · South Carolina

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Hand-painted diagonal dashes compose diamonds in this new classic wallpaper design that, like many of Rebecca’s favorites, explores the beauty in repetitive mark making. Each line is a single stroke that fades from dark to light with the paint on the brush, and infused with nuance and personality.

by Rebecca Atwood · South Carolina

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These loopy freehand lines stretch and coil between painterly dots. A meditation on the dual nature of time inspired by Japanese ceramics, it’s unpredictable and energetic, and it mixes and matches easily with the other patterns in our collection. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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These small looped circles started as a painting in Rebecca’s sketchbook. The repetition of mark making creates a layered design that references water falling.

by Rebecca Atwood · South Carolina

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Reminiscent of seeds, beans, acorns, or even an animal print depending on the color, this small-scale pattern is hard to pin down but easy to love. Its abstract dashes and curves of paint set a mood that’s equal parts fun and stylish, playful and refined.

by Rebecca Atwood · South Carolina

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A cut paper collage of hand-painted stripes from Rebecca’s sketchbook inspired the mixed stripe pattern.

by Rebecca Atwood · South Carolina

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This design started when Rebecca experimented with marbling papers using India ink in the suminagashi technique. The irregular marbled designs reference the coastal elements – patterning on small rocks, swirling ocean pools, and the landscape itself ever shifting from the tides.

by Rebecca Atwood · South Carolina

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The subtly varying colors of this intricate marbled textile make it so very special. Rebecca’s original suminagashi artwork, done in india ink on rice paper, references geological and coastal elements. We love how the weaving process captures its variations, enriching its colors and textures with artisan-dyed warp yarn and making it a dynamic choice for layering. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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Lines of ink crisscross for a soft , richly textured effect. We think of it like a soft, insulating layer of pine needles on the forest floor—the perfect foundation to build a retreat-like space. It’s a pattern that pairs well with almost any other print, thanks to our broad range of colorways from faded black to ice blue.

by Rebecca Atwood · South Carolina

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Like most, this pattern began in Rebecca’s sketchbook. She was playing around with a new small brush and admiring the line quality. She started painting arched shapes that were reminiscent of clouds, which she then explored as a larger painting. We love that patterns can become the backdrop to our lives and help us create an environment. Inspired by the sky, this textural pattern will add atmosphere to a room. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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Rebecca recast a botanical painting in imaginative new colors to create this fantastical print, marked by its painterly brushstrokes. In our brighter peach and citrine colors, the big leaves and stems feel fun and inviting. In our deep purples, they set a more mysterious, romantic tone. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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A customer favorite, this abstract botanical is a strong, grounding foundation for a room. Rebecca began drawing it on vacation in Zihuatanejo, Mexico, taking in the movement and color of the landscape; it’s also inspired by the still, quiet energy of tree pose in yoga. The dotted ground allows you to introduce color in a soft but impactful way, making it quite versatile.

by Rebecca Atwood · South Carolina

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This take on a traditional trellis pattern is loosened and lightened up, with a distinct feeling of ease in its lines. Rebecca painted and repainted the lines to get their weight and movement just right. In our soft palette, it looks feminine, restrained, and effortless, like a ballet dancer’s movements.

by Rebecca Atwood · South Carolina

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Wispy, circular ripples set a scene that’s as warm as a sunset. Rebecca painted each of these clouds individually; we printed them on double-wide wallpaper at a large scale to retain the original artwork's specialness and the expansive feeling of the sky.

by Rebecca Atwood · South Carolina

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While visiting Zihuatanejo, Mexico, Rebecca painted playful patterns in her sketchbook inspired by the relaxed vibe of the coastal town. The fabric was woven in India, the dotted dash motif was hand screen printed, and finally the circles embroidered. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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Use this fabric indoors or out. Brushstroke-like swatches scatter across this indoor-outdoor performance fabric. We love how it takes on new life in different colorways: It can easily swap in for an animal print as a neutral or bring a bright element to a room in its multicolor version. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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This calm, cocooning pattern began as elongated brushstrokes in Rebecca’s sketchbook. Like petals or leaves gently curling at the edges, the soft shapes hang suspended in the air, twisting and turning so you can see their subtle colors. We love using it to upholster larger pieces.

by Rebecca Atwood · South Carolina

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This pattern began as a painting Rebecca made thinking about the shapes of spring, and how everything slowly blooms in layers until it’s a full burst of a garden. This fabric is available as a pillow here . This fabric is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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This pattern was created from an original painting from Rebecca’s sketchbook, which like many of her designs, began as a mark-making exercise. Creating a motif from small dashes and dots is a simple practice that can start on the corner of a notebook during a meeting or a warm-up practice for a painting session. While mark-making is often an exercise Rebecca uses to center herself in the present moment, the results often become the seed of a new design. The radiating lines of this deconstructed floral shape feel celebratory and are sure to bring joy to any space.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina