
Case for Making CfM Ruby
57 colors/styles available — click a swatch to switch
$12.00Sold by Case for Making · San Francisco, CA
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This lovely, complex blend features five of our core collection colors: some bright, some deep, and all opaque. Among our reds, Ruby fits right in the middle between French Vermilion (which is brighter and closer to the orange scale), and Primary Red (which is cooler with blue undertones). Like the gemstone, our Ruby is multi-faceted—the perfect color for capturing everything from berry fruit-leather to a Cardinal’s winter plumage, or the Golden Gate Bridge at sunset! This color contains fluorescent pigment, which is not lightfast.
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Case for Making Fluorescent Flame Red
An ultra-bright synthetic! Like all our fluorescents, this fun glowy red is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Notes on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.
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Case for Making Fluorescent Brick Red
An ultra-bright synthetic! Like all our fluorescents, this fun glowy red is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Notes on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.
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Case for Making Expanded Ultra-Blends Palette
An expanded version of our Ultra-Blends 8-color set ! This exciting collection was inspired by our OG color-separating blend, CfM Riverbed . We wanted to try our hand at making even more layered colors—and once we got going, we couldn't stop! Team members were texting ideas, swatches and color scraps covered our work tables, and our resident poets began thinking up fun names . . . while in the span of a week two colors turned into three which turned into seven . . . you get the idea! CfM Ultra-Blends are custom colors with endless possibilities!
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Case for Making Rouge Vermilion
A deep reddish-pink synthetic formulated to simulate the characteristics of the mineral pigment Vermilion, without the use of mercury. This lovely core color is highly opaque and smooth. True Vermilion is a brilliant red pigment with a rich history of use around the world, from Ancient Rome’s decorative arts, to illuminated manuscripts of the Middle Ages, to lacquerware in China since the Song dynasty. Vermillion was even used as a cosmetic rouge in ancient West Asia.
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Case for Making Fluorescent Orange Light
An ultra-bright synthetic! Like all our fluorescents, this fun glowy orange is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Notes on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.
by Case for Making · San Francisco, CA
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Arctic Fox Ruby Red
Own your glow with Ruby Red , a rich red that’s naturally unforgettable. Stand out by standing in this warm, rich hue that’s effortlessly striking.
by Arctic Fox · California
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Case for Making Blue Ridge Violet Hematite
A cool, deep purple-brown natural earth pigment with high opacity, lightfastness, and a very consistent and smooth texture with a matte finish. At its most opaque, it's just slightly metallic, thanks to its high concentration of hematite. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness.
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Case for Making Blue Ridge Yellow Ochre
This is perhaps the richest ochre we've made yet, with the most consistent and smooth texture. It's a highly opaque and lightfast deep gold that sits extremely matte, but can be watered down to subtle yellows or tinted to an opaque pastel. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness.
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit too cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!
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Case for Making Mineral Violet
A smooth and consistent red-tinted synthetic violet. This color is smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .
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Case for Making Genuine Indigo
This rich blue is in a category all its own—its depth and range exceeds any other color we can think of! Compared with Synthetic Indigo , our Genuine Indigo is a bit more textured and deeper in tone. Both are fantastic for layering, glazing, and color mixing (a little bit goes a long way!) and are wonderfully opaque at full saturation. Genuine Indigo is derived from the Indigofera tinctoria plant through a fermentation process, and further refined to achieve greater saturation and intensity.
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Case for Making Zirconium Yellow
A bright, cool-toned yellow that is opaque and lightfast with a smooth texture. Zirconium Yellow ( or Zircon to us for short) is made from a synthetic pigment whose color mimics the sunny Yellow Zircon semi-precious gemstone. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 159.77997.
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Case for Making CfM Medium White Palette
This slim and sturdy palette fits up to twenty-four of our handmade watercolors ! It's slightly wider and flatter than our standard Medium Palette , so it's even easier to slide in your backpack with your paint journal! Includes an empty palette with a white lid and silver base. Medium swatch card is also included. Measures approximately 9" x 3.5" x 1/2" when closed. Imported from Germany.
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Case for Making Color Conversations with Alexis Joseph
TUESDAY, JUNE 23, 6:30pm - 8:30pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Ever stood in front of a painting wishing you had your paints with you? This workshop was born from exactly that feeling. We'll use projected abstract artworks as our reference and build a color map together -- a kind of paint-by-numbers where the "numbers" are your own personal notes about the colors you see.
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JPT Uni-ball Signo Pen
JPT America gel ink pen in black, red, and blue ink - super smooth writing, the viscous formula behind the gel ink is what sets this pen apart. The pigment contained in the ink is water resistant and light resistant. Made in Japan.
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Emilio Braga Sketchbooks - Lemon
The classic composition notebook reimagined! We love these fun and funky color combinations that keep us inspired! Emilio Braga sketchbooks are our favorite, and have been handmade in Portugal since 1918! They are perfect for drawing and writing, even on the go! Every sketchbook has an elastic band and comes with a cardstock sheet that is lined on one side and grid on the other to use as a writing guide since all pages are blank. Size 12cm x 17cm (approx. 4.72in. x 6.69in.) Size 17cm x 23cm (approx. 6.69in.
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Hightide Penco 8 Color Delights Crayon
Eight colors in one, with an easy-to-twist top so you can switch colors as you draw! Please note: we're currently shipping these with a white cap.
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Saikai Allex Small Slim Scissors
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Macpherson's Staedtler Mars Mini Plastic Eraser
We love these mini erasers! Made in Germany of premium vinyl, they erase leaving hardly any residue. Measures: about 1.5" long
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SLS Mod Podge
A total classic. Use as a glue, sealer, finish, or all-in-one! Perfect for collaging. We love using it to decorate and seal the cover of a sketchbook! Choice of Matte or Glossy finish. Formula is non-toxic and easily washable with soap and water. Great for kids! Available in - 4oz (118 ml)…
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Case for Making CfM Filbert Brushes
In the world of brush options, there's no substitute for the filbert's flat, oval tip when laying down, or filling in, rounded organic shapes. For this reason, filberts are particularly useful for painting flower petals and foliage. Our premium quality brushes have coated wood handles labeled with our classic gold lettering, and synthetic bristles that fit into a metal ferrule. Imported from Germany.
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Case for Making CfM Simple Travel Palette - French Vermilion
This sleek and elegant palette is the perfect travel companion! Each row holds four half-pans of paint, to fit a total of twelve handmade watercolors . Or, choose eight colors and pop a Mini Matte Gold Travel Brush in the middle row—and you'll be all set for your next outdoor painting adventure! Includes an empty palette with a finger loop at the bottom, swatch card, plus two metal spacer bars to hold your paints in place. First time loading your palette? Watch our handy how-to videos!
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Case for Making Fluid Fauna: Butterflies and Moths with Claire Wilson
Saturday, July 18, 11:00am - 12:30pm PT This is an online workshop held via Zoom. Mother Nature continues to be one of our best muses! Butterflies have been a popular motif historically in art and design, perhaps for their fleeting beauty and fragility, and watercolour is the perfect medium to explore their iridescent wings. In this session we’ll be studying butterflies & moths and observing their wide range of patterns and textures - their symmetry allows for repetition and practicing techniques.
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Case for Making Support for groundbreaking carbon removal technologies.
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