Rebecca Atwood Designs Curved Brushstroke Wallpaper in Blush

Loose, painterly leaves in tonal colors drift across the background of this wallpaper. It brings a buoyant feeling to any room where it’s used. With its large-scale proportion — the leaves are life size or slightly bigger — we love it in settings where a creative, not too formal mood is called for.

by Rebecca Atwood · South Carolina

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This small, graphic pattern of abstract bubbles, dots, or circles is designed to ground an entire room with its texture. It captures the movement of receding waves on a shoreline, falling grains of sand, or even little memories and dreams—gathering, settling, and collecting. Pair it with its coordinated print on the ceiling to make it feel fully immersive.

by Rebecca Atwood · South Carolina

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This loose, lush botanical print, originally done in I ndia ink using a single brush, captures the view out Rebecca’s windows in Charleston. It’s simple yet impactful with a linen string grasscloth that brings texture and richness to any space.

by Rebecca Atwood · South Carolina

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Rebecca’s brushstrokes show through beautifully in the rough, slightly irregular texture of these relaxed waves, reminiscent of Japanese calligraphy art. Their airy, upward-reaching nature makes this wallpaper perfect for large spaces like a living room or bedroom wall. Also available as a textile.

by Rebecca Atwood · South Carolina

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A large-scale painterly pattern filled with movement and inspired by the slow bloom of spring. Small marks uncurl into leaves and blossoms. The original artwork was painted to scale with India Ink on a stretch of rolled paper.

by Rebecca Atwood · South Carolina

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Designed to coordinate with our Bubbles mural to continue the pattern onto a ceiling, this subtle print looks equally lovely on its own. It calls to mind fading seafoam or falling grains of sand, but without the larger mural for context it can also read as floating specks of dust, snow flurries, or tiny drops of beaded rain, all softly illuminated and suspended in motion. Like our Petals pattern, it’s enveloping in a gentle way, and it’s ideal for a quiet, calm environment.

by Rebecca Atwood · South Carolina

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Rebecca recast a botanical painting in imaginative new colors to create this fantastical print, marked by its painterly brushstrokes. In our brighter peach and citrine colors, the big leaves and stems feel fun and inviting. In our deep purples, they set a more mysterious, romantic tone.

by Rebecca Atwood · South Carolina

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Rebecca wanted to design something soft and textural as if she had just slowly moved her brush up and down in small repetitive marks along a wall or across a piece of fabric—which is in fact how she painted this pattern but on a piece of paper. The soft texture created by a brush with only a bit of paint left on it creates a cozy soothing feeling, almost like white noise. Use this pattern like you would a grasscloth or texture. It’s soft and easy to mix with other patterns. The finish has a slight sheen that reflects light beautifully.

by Rebecca Atwood · South Carolina

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This dreamy, multi-colored pattern is an excellent bridge across color palettes. Inspired by natural shapes and her memories of a spring meadow, Rebecca painted this pattern at a large scale, focusing on details such as little seeds floating through the air and light-catching a leaf to capture the beauty in these organic forms.

by Rebecca Atwood · South Carolina

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Leaves and petals floating in the air inspired the rounded shapes of this pattern. The circular movement of the shapes and repeat creates an uplifting feeling, like those first signs of spring. Also available as a textile.

by Rebecca Atwood · South Carolina

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This pattern began as a series of closely spaced lines Rebecca painted in her sketchbook using a thin brush. With repetition, they grew into soft, organic arched shapes reminiscent of cumulus clouds and antique etchings. Her hand-painted lines and subtle variations come through on our wallpaper and add atmosphere to a room.

by Rebecca Atwood · South Carolina

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This calm, cocooning pattern began as elongated brushstrokes in Rebecca’s sketchbook. Like petals or leaves gently curling at the edges, the soft shapes hang suspended in the air, twisting and turning so you can see their subtle colors. Petals is available on our clay-coated paper at full scale and at a smaller scale to match our Belgian linen and performance woven fabrics.

by Rebecca Atwood · South Carolina

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Use this fabric indoors or out. Throughout the years, Rebecca has explored long curved shapes in various ways and frequently doodled them in the corners of her notebooks. When she began to play with this linear shape for a woven, she explored how it could capture the way a breeze ripples through the spring air. By repeating this simple mark in varying darkness, she creates a pattern with movement. Some marks sink back into the ground of the cloth, where others pop against the background.

by Rebecca Atwood · South Carolina

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The fun textures and colors of this vintage-feeling fabric make it ideal for layering. The raised embroidery is a twisted, more organic take on a French knot motif; think of them like the centers of flowers that have lost their petals. The simple contrasting shades just feel easy together as a charming finishing touch.

by Rebecca Atwood · South Carolina

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A simple plaid, this design started as a meditative practice to begin a painting session. Rebecca used India Ink, overlaying the same wash of ink to create a basket-like weave. The subtle darkening that occurs when one long stripe crosses over the next was pleasing to watch. Reminiscent of fencing, it calls to mind the different structures we use to tame nature within a garden. The repetition and structure they provide feel settling. We love it against wrought iron detailing or ivy-covered brick. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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The Dashes design started as a mark-making experiment in Rebecca’s sketchbook – she loved the shape the paintbrush made and the slight variations that occurred.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

A simple plaid, this design started as a meditative practice to begin a painting session. Rebecca used India Ink, overlaying the same wash of ink to create a basket-like weave. The subtle darkening that occurs when one long stripe crosses over the next was pleasing to watch. Reminiscent of fencing, it calls to mind the different structures we use to tame nature within a garden. The repetition and structure they provide feel settling. We love it against wrought iron detailing or ivy-covered brick. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

A customer favorite, this abstract botanical is a strong, grounding foundation for a room. Rebecca began drawing it on vacation in Zihuatanejo, Mexico, taking in the movement and color of the landscape; it’s also inspired by the still, quiet energy of tree pose in yoga. The dotted ground allows you to introduce color in a soft but impactful way, making it quite versatile.

by Rebecca Atwood · South Carolina

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This take on a traditional trellis pattern is loosened and lightened up, with a distinct feeling of ease in its lines. Rebecca painted and repainted the lines to get their weight and movement just right. In our soft palette, it looks feminine, restrained, and effortless, like a ballet dancer’s movements.

by Rebecca Atwood · South Carolina

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Lines of ink crisscross for a soft , richly textured effect. We think of it like a soft, insulating layer of pine needles on the forest floor—the perfect foundation to build a retreat-like space. It’s a pattern that pairs well with almost any other print, thanks to our broad range of colorways from faded black to ice blue.

by Rebecca Atwood · South Carolina

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This fabric is intended for indoor use. For our first “solid” fabric, Rebecca wanted something that would be durable and a great basic, but that also made it easier to layer within a color palette—or even build one from. We rarely see flat colors in big swaths in nature. Our natural world is so complex. We see a field of grass, but it’s full of tonal variation and movement. She wanted to explore this concept in an upholstery fabric as if you covered your sofa in a natural landscape. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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A new, smaller take on our signature Hills pattern, which originated as a potato print. Screen printed on linen, the rounded shapes are graphic yet harmonious. The subtle, expressive texture and slight variation in saturation come from the stamping motion of the original artwork. The smaller scale makes the pattern more textural and easy to layer. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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Thickets of berry bushes inspired the name for this indoor upholstery-weight fabric. Woven from a soft, nubby cotton-wool blend, each of the colors contains all the pigments Rebecca would use if she were mixing it with her paints. Neutral green CAMELLIA LEAF is inspired by the flowers in Rebecca’s yard and all over Charleston, with their creamy pink petals, dark foliage, and yellow-green buds—even a hint of blue sky. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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This pattern began as a painting Rebecca made thinking about the shapes of spring, and how everything slowly blooms in layers until it’s a full burst of a garden. This fabric is available as a pillow here . This fabric is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina