Rebecca Atwood Designs Curved Brushstroke Wallpaper in Gray

This loose, lush botanical print, originally done in I ndia ink using a single brush, captures the view out Rebecca’s windows in Charleston. It’s simple yet impactful with a linen string grasscloth that brings texture and richness to any space.

by Rebecca Atwood · South Carolina

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Loose, painterly leaves in tonal colors drift across the background of this wallpaper. It brings a buoyant feeling to any room where it’s used. With its large-scale proportion — the leaves are life size or slightly bigger — we love it in settings where a creative, not too formal mood is called for.

by Rebecca Atwood · South Carolina

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This small, graphic pattern of abstract bubbles, dots, or circles is designed to ground an entire room with its texture. It captures the movement of receding waves on a shoreline, falling grains of sand, or even little memories and dreams—gathering, settling, and collecting. Pair it with its coordinated print on the ceiling to make it feel fully immersive.

by Rebecca Atwood · South Carolina

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Rebecca’s brushstrokes show through beautifully in the rough, slightly irregular texture of these relaxed waves, reminiscent of Japanese calligraphy art. Their airy, upward-reaching nature makes this wallpaper perfect for large spaces like a living room or bedroom wall. Also available as a textile.

by Rebecca Atwood · South Carolina

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This pattern began as a series of closely spaced lines Rebecca painted in her sketchbook using a thin brush. With repetition, they grew into soft, organic arched shapes reminiscent of cumulus clouds and antique etchings. Her hand-painted lines and subtle variations come through on our wallpaper and add atmosphere to a room.

by Rebecca Atwood · South Carolina

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Rebecca wanted to design something soft and textural as if she had just slowly moved her brush up and down in small repetitive marks along a wall or across a piece of fabric—which is in fact how she painted this pattern but on a piece of paper. The soft texture created by a brush with only a bit of paint left on it creates a cozy soothing feeling, almost like white noise. Use this pattern like you would a grasscloth or texture. It’s soft and easy to mix with other patterns. The finish has a slight sheen that reflects light beautifully.

by Rebecca Atwood · South Carolina

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Based on an original watercolor painting by Rebecca, this grid with moon shapes mixed in has a lovely balance of structure and fluidity. It’s a bit playful but still buttoned up. Our smooth clay-coated wallpaper retains the character of the original watercolor and ink. We designed it at a mid-size scale—not too tiny or too big—so it’s ideal for intimate applications such as in an entryway or powder room. Also available as a textile.

by Rebecca Atwood · South Carolina

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These upward-reaching vines have leaves that appear to be just uncurling, making them feel alive, in motion, and even a bit magical. Their striped markings introduce depth of color and painterly patterns like the ones you’d see in nature that can inspire the other colors and textures you pair with it. Use it to cover a wall in a continuous vertical pattern and enhance its sense of height.

by Rebecca Atwood · South Carolina

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Loose abstract florals bloom in cascading diagonal rows. Printed on natural and metallic grasscloths, it instantly infuses any space with its forward momentum and happy energy.

by Rebecca Atwood · South Carolina

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This pattern began as a painting Rebecca made thinking about the shapes of spring, and how everything slowly blooms in layers until it’s a full burst of a garden.

by Rebecca Atwood · South Carolina

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This calm, cocooning pattern began as elongated brushstrokes in Rebecca’s sketchbook. Like petals or leaves gently curling at the edges, the soft shapes hang suspended in the air, twisting and turning so you can see their subtle colors. Petals is available on our clay-coated paper at full scale and at a smaller scale to match our Belgian linen and performance woven fabrics.

by Rebecca Atwood · South Carolina

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Rebecca recast a botanical painting in imaginative new colors to create this fantastical print, marked by its painterly brushstrokes. In our brighter peach and citrine colors, the big leaves and stems feel fun and inviting. In our deep purples, they set a more mysterious, romantic tone.

by Rebecca Atwood · South Carolina

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A large-scale painterly pattern filled with movement and inspired by the slow bloom of spring. Small marks uncurl into leaves and blossoms. The original artwork was painted to scale with India Ink on a stretch of rolled paper. For pillow fabric details please click here.

by Rebecca Atwood · South Carolina

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When Rebecca painted this simple yet striking botanical pattern before she moved south, she loved the energy of its leaves. Now that she’s based in Charleston, it has taken on a distinctive coastal charm. We love that it can shift and assume so many other natural forms depending on the colorway you choose—a palm frond or a piece of coral. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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In this ombre botanical print, rows of imperfect potato-printed trees reach toward the sky. Their bare limbs create a sense of rest and dormant energy as if they’re waiting for their chance to bud and bloom. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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Big, loose blooms lighten any room with their carefree lines. Rebecca’s brushstrokes are beautifully visible in the darker, more saturated areas of India ink on the flowers and on the drier, lighter stems.

by Rebecca Atwood · South Carolina

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This calm, cocooning pattern began as elongated brushstrokes in Rebecca’s sketchbook. Like petals or leaves gently curling at the edges, the soft shapes hang suspended in the air, twisting and turning so you can see their subtle colors. We love using it to upholster larger pieces.

by Rebecca Atwood · South Carolina

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A new, smaller take on our signature Hills pattern, which originated as a potato print. Screen printed on linen, the rounded shapes are graphic yet harmonious. The subtle, expressive texture and slight variation in saturation come from the stamping motion of the original artwork. The smaller scale makes the pattern more textural and easy to layer. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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The soft curling of petals and leaves inspired the shapes in this design. The shapes vary as the petals do from the salty sea breeze and cool crisp nights. The artwork for this design began as a painting in Rebecca’s sketchbook. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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Wispy, circular ripples set a scene that’s as warm as a sunset. Rebecca painted each of these clouds individually; we printed them on double-wide wallpaper at a large scale to retain the original artwork's specialness and the expansive feeling of the sky.

by Rebecca Atwood · South Carolina

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Rebecca’s take on a geometric pattern, this diamond motif has the soft, delicate texture of a loose braid. It’s graphic but gentle, and offers a full palette of complementary colors you can pull from to build a room. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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Fully bleach cleanable, Park can be used indoors or outdoors. This crisp midweight upholstery fabric can create a range of moods depending on the color you choose—from cool ones that give a space a light, breezy feeling to grounded ones that bring warmth. Rebecca wanted each one to look sunwashed. WILD GRASS is like a green meadow in the off-season, flecked with pink, yellow, and whites like Queen Anne’s Lace and wildflowers. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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This design began as a simple wavy mark in Rebecca’s sketchbook. The subtle shifting tones come to life with the woven texture. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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The fun textures and colors of this vintage-feeling fabric make it ideal for layering. The raised embroidery is a twisted, more organic take on a French knot motif; think of them like the centers of flowers that have lost their petals. The simple contrasting shades just feel easy together as a charming finishing touch.

by Rebecca Atwood · South Carolina

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