
Case for Making Vagone Green
6 colors/styles available — click a swatch to switch
$6.00Sold by Case for Making · San Francisco, CA
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A natural earth pigment offering a rich forest green color that is lightfast, opaque with a subtle texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PG 7.74260, PB 11, PY 42. All of our watercolors conform to ASTM D-4236 .
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Case for Making Vagone Green
This rich, forest green natural earth pigment is lightfast and opaque with a subtle texture. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PG 7.74260, PB 11, PY 42. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Mineral Violet
A smooth and consistent red-tinted synthetic violet. This color is smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Titanium White
A natural mineral pigment that is smooth, opaque, and lightfast—and a must-have for mixing tints! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PW 6 (77891). All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Raw Umber Greenish
A deep green-brown earth pigment from Germany. This color offers a smooth consistency, high opacity and lightfastness. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PBr 8.77727. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Graphite
Made from true fine graphite powder, this naturally occurring pigment offers great opacity, depth and a very smooth texture. Graphite is the most stable form of the element carbon. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor.
by Case for Making · San Francisco, CA
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Case for Making Lavender Blue Lake
A smooth, semi-transparent and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
by Case for Making · San Francisco, CA
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Case for Making Primary Red
A synthetic deep, cool red with high opacity and lightfastness. Paints with a very consistent smooth texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV19. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making CfM Jade
We were looking for the perfect midpoint between our Cypress and Meadow blends, and we found our winning color in CfM Jade! This uplifting green has a rich opacity with a subtle bright underlay, giving it the deep hues of spring grass. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
by Case for Making · San Francisco, CA
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Case for Making Paliochrome Blue Silver
A metallic glimmer pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Citron Yellow
A bright and smooth synthetic primary yellow. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PY 74, W 18, CACO3. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Art Room Studio Club!
Open Studio Days for CfM Art Room! 4035 Judah St, San Francisco, next door to our shop! Studio days reserved especially for our trusted CfM community members! Book a spot, grab your favorite supplies and come hang for the day! We'll have the Art Room set up and ready to host your projects. Think of it as a shared space for focused, creative play—no computers allowed! Just check in at the shop for your door code and come and go as you please from there...grab a coffee next door, pick up lunch to enjoy in the backyard, and spend a cozy day making art!
by Case for Making · San Francisco, CA
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Case for Making Intuitive Mark-Making with Simmin Joy Holland
SATURDAY, JUNE 27, 2:00 - 4:00pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! This abstract mark-making and mixed media workshop will explore intuitive ways of making marks to develop freedom and confidence in the process. We will begin with activities designed to explore materials and experiment with various approaches to creating marks. We will then cut & collage the papers we created in warm-up activities, add additional material, and explore meaning through the creation of an abstract piece rooted in your unique sensibility.
by Case for Making · San Francisco, CA
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SLS Pentel Mechanical Drafting Pencil Lead
Our favorite replacement mechanical pencil lead! Pentel’s Super Hi-Polymer pencil lead is one of the strongest and highest quality leads on the market. Formulated to improve strength, retain darkness and smoothness, and reduce the risk of breakage. We offer it in the HB which is a wonderful general-use pencil lead hardness. 12 leads / pack Available in - 0.3mm, 0.5mm, 0.7mm, &…
by Case for Making · San Francisco, CA
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SLS Faber Castell Oil Pastel Set
Faber Castell Oil Pastel set features 12 vibrant colors that are opaque, blendable, and super smooth! Fun for mixed media projects and good for kids as well! Contained in a durable, convenient, clear plastic carrying case. Non-toxic and acid free.
by Case for Making · San Francisco, CA
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Case for Making Naturalist Studies: Dolphins with Melanie Lan
Saturday, July 25, 11:00am - 12:30pm PT. This is an online workshop held via Zoom. I have been obsessed with dolphins since childhood. Their curious, playful natures are fascinating, and their graceful movements are full of joy. Observing them swimming in the San Francisco Bay inspired me to loosen my approach to painting and respond more intuitively to the natural world. In this workshop we’ll explore foundational watercolor techniques such as wet-into-wet, layering, and more, with an emphasis on using minimal, fluid brushstrokes to paint these streamlined creatures.
by Case for Making · San Francisco, CA
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Macpherson's Tombow Mono Jumbo Eraser
Mono Jumbo Eraser - for all your biggest eraser needs, this one will last you forever! Measures: about 3.25" x 1.5"
by Case for Making · San Francisco, CA
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JPT ForCOLOR Plastic Eraser - Neon Yellow
The ForCOLOR eraser works great for erasing both graphite and colored pencils. Plus, we love the neon yellow color! Made in Japan. Measures: about 3"…
by Case for Making · San Francisco, CA
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Saikai Allex Small Slim Scissors
by Case for Making · San Francisco, CA
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Case for Making Dorothy Hood’s Abstract Painting with Erin McCluskey Wheeler
Thursday, July 30, 5:00pm - 6:30pm PT This is an online workshop held via Zoom. Dorothy Hood was born in 1918 and spent her life in both Mexico and Texas. Her large abstract paintings are full of hard and soft edges, moments where the paint pools and gathers and places where the paint makes crisp lines and angles. Her colors are bold and inspired by the full range of colors found in both Mexico and Texas. With watercolors, we will play with some of Dorothy’s shapes by creating hard edges with tape, letting the watercolors be soft and blend, and create dynamic shapes with layered colors.
by Case for Making · San Francisco, CA
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Case for Making CfM Small Swatch Card
Our lovely letterpressed watercolor swatch cards! Fits our small tin perfectly and has 14 blind debossed squares to color swatch your CfM watercolors with space below to write the color names! Comes free with the purchase of a premade set.
by Case for Making · San Francisco, CA
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SLS Hahnemühle Tan Toned Watercolor Book
Have you ever wanted to try watercolor paper that isn't just white? These watercolor journals offer toned pages for a different look and feel! Try mixing it up with tan toned paper. These books are great for travel and the design features a linen cover, an elastic band to keep secure, and a red ribbon bookmark. Each book is 200gsm (95lbs) and 60 pages. Available in two sizes - A6 small (4.1" x 5.8") or A5 medium (5.8" x 8.3")
by Case for Making · San Francisco, CA
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Case for Making CfM Digital Gift Card
Grab a digital gift card for all your art-supply-loving friends and family! Gift cards can be used in our shop and online for both products and workshops! Please Note: If you'd like the digital gift card to go directly to the recipient, check "I want to send this as a gift" before adding to cart, and fill in the required fields. Use the date field to select the specific date you'd like the card to be emailed.
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