
Case for Making French Rose Lake
4 colors/styles available — click a swatch to switch
$6.00Sold by Case for Making · San Francisco, CA
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Like all of our lake pigment paints, French Rose Lake is made with a mineral pigment that is fixed to a natural calcium carbonate base—which gives it a soft, velvety, matte finish when dry. This deep rosy color is lightfast, semi-opaque and very smooth. All of our watercolors are non-toxic and handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep.
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Case for Making French Rose Lake
A smooth, semi-opaque and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor.
by Case for Making · San Francisco, CA
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Case for Making Lavender Blue Lake
A lake pigment that is lightfast and semi-transparent and very smooth to paint with, Lavender Blue Lake is made from a French mineral pigment that is fixed to a natural calcium carbonate base which gives these specific lake pigments a soft, velvety and matte finish when dry. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep.
by Case for Making · San Francisco, CA
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Case for Making Blackcurrant Red Lake
A smooth, opaque and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.
by Case for Making · San Francisco, CA
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Case for Making Graphite
Made from true fine graphite powder, this naturally occurring pigment offers great opacity, depth and a very smooth texture. Graphite is the most stable form of the element carbon. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure approximately 3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor.
by Case for Making · San Francisco, CA
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Case for Making French Ochre Very Light
A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PY 43.77492. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Mineral Violet
A red-tinted synthetic violet with good lightfastness and opacity. Has a smooth and consistent texture. All of our watercolors are non-toxic and handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV16. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Paliochrome Blue Silver
A metallic glimmer pigment that is lightfast and semi-opaque and very smooth to paint with. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it.
by Case for Making · San Francisco, CA
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Case for Making Ultramarine Pink
This soft, violet-tinted synthetic pink is smooth, opaque, and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making CfM Blossom
This sultry, dusty pink is beautiful for florals or the last deep streaks of a moody sunset. It’s smooth, opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Our custom blended colors don't have a Color Index number, as they consist of a unique blend of two or more pigments.
by Case for Making · San Francisco, CA
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Case for Making Slate Green
A natural earth pigment that is lightfast and transparent with a fair amount of texture. Slate green is a natural stone chalk that has been ground down into a fine powder which we've found to have a lovely grittiness to it. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep.
by Case for Making · San Francisco, CA
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Case for Making Sun Gold
A metallic mica pigment that is smooth, semi-opaque and lightfast. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Case for Making Bronze
A metallic mica pigment that is lightfast and semi-opaque and very smooth. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number not provided by vendor. The pigment is fine mica powder and does not have a CI number associated with it. All of our watercolors conform to ASTM D-4236 .
by Case for Making · San Francisco, CA
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Hightide Penco 8 Color Delights Crayon
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Emilio Braga Sketchbooks - Lemon
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SLS Faber Castell Oil Pastel Set
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Case for Making CfM X Large Swatch Card
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by Case for Making · San Francisco, CA
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Case for Making CfM Small Swatch Card
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by Case for Making · San Francisco, CA
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JPT Uni-ball Signo Pen
JPT America gel ink pen in black, red, and blue ink - super smooth writing, the viscous formula behind the gel ink is what sets this pen apart. The pigment contained in the ink is water resistant and light resistant. Made in Japan.
by Case for Making · San Francisco, CA
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Case for Making CfM Medium White Palette
This slim and sturdy palette fits up to twenty-four of our handmade watercolors ! It's slightly wider and flatter than our standard Medium Palette , so it's even easier to slide in your backpack with your paint journal! Includes an empty palette with a white lid and silver base. Medium swatch card is also included. Measures approximately 9" x 3.5" x 1/2" when closed. Imported from Germany.
by Case for Making · San Francisco, CA
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Case for Making Watercolor Paint-Making with Alexis Joseph
SATURDAY, JULY 25, 2:00pm - 5:00pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Join Case for Making shop owner Alexis Joseph a 3-hour watercolor paint-making class in our new space! We’ll cover what goes into watercolor medium and why it works so well, along with all the tools and processes necessary to make your own watercolors. We'll also explore synthetic, earth and mineral lake pigments and see how different pigments respond to the paint-making process.
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Saikai Allex Large Desk Scissors
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SLS Mod Podge
A total classic. Use as a glue, sealer, finish, or all-in-one! Perfect for collaging. We love using it to decorate and seal the cover of a sketchbook! Choice of Matte or Glossy finish. Formula is non-toxic and easily washable with soap and water. Great for kids! Available in - 4oz (118 ml)…
by Case for Making · San Francisco, CA
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