Case for Making Ultramarine Blue Light

A vivid and rich blue, Ultramarine Blue was first formulated in 1828 by chemist Guillemet as a synthetic reproduction of the expensive and rare mineral pigment Lapis Lazuli, whose color extraction process is also very labor intensive. Ultramarine Blue was the beautiful, affordable and stable alternative for artists. Opaque, very lightfast, and paints with a consistent smooth texture.

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A bright orange-red vermilion pigment formulated synthetically to simulate the characteristics of the mineral pigment Vermilion and eliminate the use of mercury. This rich color has high opacity, good lightfastness and a smooth texture. True Vermilion is a brilliant red pigment with a rich history of being used throughout history and around the world from Ancient Rome’s decorative arts and the illuminated manuscripts of the Middle Ages to lacquerware in China since the Song dynasty. It was even used as a rouge-like cosmetic in ancient West Asia.

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We set out to make our own version of Prussian Blue, but realized in the process that we were on to something we liked even better! This color resembles the lovely, multi-faceted blue-green of Topaz gemstones . . . what more could we ask for?! CfM Ultra-Blends are custom colors with endless possibilities! Use them with just a bit of water for full, even saturation, or add more water (and a bit more!), let it all pool and dry undisturbed on your paper, and discover worlds upon magical worlds as the colors separate and settle out! This color contains fluorescent pigment, which is not lightfast.

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A synthetic bright, cool blue with high opacity and lightfastness. Cerulean paints with a very consistent smooth texture. Discovered by Swiss chemist Albrecht Hopfner in 1789 and introduced to a wider market in the UK by art materials manufacturer George Rowney in the 1860s, it became an important addition to synthetic blues of the time like Prussian Blue, Cobalt Blue and Ultramarine and is still coveted for its opacity and use in painting skies. Berthe Morisot used the color in her 1879 painting Summer’s Day.

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A soft red-violet in the synthetic Ultramarine family. Opaque, very lightfast, and paints with a consistent smooth texture. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep. Color Index number as provided by vendor: PV 15.77007. All of our watercolors conform to ASTM D-4236 .

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Indigo was one of our first handmade watercolors, a must-have in a palette! This rich synthetic color simulates Genuine Indigo and provides a wide range of tones—at its darkest it appears almost black! Both colors are fantastic for layering, glazing, and color mixing (a little bit goes a long way!) and are wonderfully opaque at full saturation. Genuine Indigo is derived from the Indigofera tinctoria plant through a fermentation process, and further refined to achieve greater saturation and intensity.

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A lake pigment that is lightfast and semi-transparent and very smooth to paint with, Sky Blue Lake is made from a French mineral pigment that is fixed to a natural calcium carbonate base which gives these specific lake pigments a soft, velvety and matte finish when dry. All of our watercolors handmade in our shop using the highest quality earth and synthetic pigments and natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine and distilled water. Half Pans contain around 2ml of paint and are approximately 3/4" x 1/2" x 3/8" deep.

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A smooth, semi-opaque and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a to a reproduced loam, which gives it a soft, velvety matte finish when dry. We've included a side-by-side image so you can see how French Pale Green compares to Nicosia , which looks a lot like French Pale Green when fully saturated, but is a bit smoother and more opaque.

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A cool, deep purple-brown natural earth pigment with high opacity, lightfastness, and a very consistent and smooth texture with a matte finish. At its most opaque, it's just slightly metallic, thanks to its high concentration of hematite. The pigments we use to make these colors are specific to Virginia's Blue Ridge Mountain range. Natural earth pigments have been mined from this region since the mid-1800's, and we think these colors are still unrivaled in intensity and richness.

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A smooth, semi-transparent and lightfast lake pigment. It’s made by fixing a manufactured French mineral pigment to a natural calcium carbonate base, which gives it a soft, velvety matte finish when dry. All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness! Half Pans measure ~3/4" x 1/2" x 3/8" and contain ~2ml of paint.

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A natural light ochre earth pigment sourced in France, lightfast and semi-transparent. Has a smooth texture and works well as a highlight color. We have some seconds available in this color. We deem a half pan second quality when it is too low, too full or a bit too cracked to sell at full price. Available until we run out! All of our watercolors are handmade in our shop using the highest quality earth and synthetic pigments, plus natural watercolor binding medium made from gum arabic (sap from acacia trees), honey, glycerine, distilled water, and a dash of clove oil for freshness!

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An ultra-bright synthetic! Like all our fluorescents, this fun glowy red is opaque and super smooth. Fluorescents absorb invisible UV light energy and reemit it at a higher visible wavelength. This enhances the appearance of the pigment, delivering those eye-catching, radiant colors we love! Fluorescents are also fantastic for mixing a bit of brightness into core colors. Let the party begin! Important Notes on Fluorescents!: The amazing neon qualities of fluorescents are difficult to capture in a scan or photograph.

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In the world of brush options, there's no substitute for the filbert's flat, oval tip when laying down, or filling in, rounded organic shapes. For this reason, filberts are particularly useful for painting flower petals and foliage. Our premium quality brushes have coated wood handles labeled with our classic gold lettering, and synthetic bristles that fit into a metal ferrule. Imported from Germany.

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This sleek and elegant palette is the perfect travel companion! Each row holds four half-pans of paint, to fit a total of twelve handmade watercolors . Or, choose eight colors and pop a Mini Matte Gold Travel Brush in the middle row—and you'll be all set for your next outdoor painting adventure! Includes an empty palette with a finger loop at the bottom, swatch card, plus two metal spacer bars to hold your paints in place. First time loading your palette? Watch our handy how-to videos!

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A total classic. Use as a glue, sealer, finish, or all-in-one! Perfect for collaging. We love using it to decorate and seal the cover of a sketchbook! Choice of Matte or Glossy finish. Formula is non-toxic and easily washable with soap and water. Great for kids! Available in - 4oz (118 ml)…

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Our ultimate blended brown! Cocoa is a careful mix of 6 (!!) of our core collection colors—the most out of all our blends, with Lime and Ruby in close second. Compared to Burnt Umber Dark and Reddish—both beautiful, single origin earth pigments that lend texture and transparency—Cocoa is a smooth, opaque alternative with a lovely ultra-matte finish. The cool thing about Cocoa is that the colors used to make this blend include two different reds, two yellows, and two blues! The fact that mixing the three primaries together creates an unlimited amount of neutrals never ceases to amaze us!

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The remnants of exploded stars, or new planets forming? Whatever science may decide, it's all here before our very eyes, in the deep reds, bright purples and swirling, electric blues of this ultimate cosmic beauty! CfM Ultra-Blends are custom colors with endless possibilities! Use them with just a bit of water for full, even saturation, or add more water (and a bit more!), let it all pool and dry undisturbed on your paper, and discover worlds upon magical worlds as the colors separate and settle out! This color contains fluorescent pigment, which is not lightfast.

by Case for Making · San Francisco, CA

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This sleek and elegant palette is the perfect travel companion! Each row holds four half-pans of paint, to fit a total of twelve handmade watercolors . Or, choose eight colors and pop a Mini Matte Gold Travel Brush in the middle row—and you'll be all set for your next outdoor painting adventure! Includes an empty palette with a finger loop at the bottom, swatch card, plus two metal spacer bars to hold your paints in place. First time loading your palette? Watch our handy how-to videos!

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Compact, easy to grip letter stamps in a playful font! These uppercase and lowercase sets are great to have around for gift tags, cards, cubby labels and more. Try them with our colorful Yellow Owl All-Surface Ink Pads ! Uppercase package measures ~1 .75" x wide x 3.25" long x 1 .75"; each letter is ~1/4" Lowercase package measures ~2" x wide x 2.75" long x 1.75" high; each letter is ~1/4"

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Eight colors in one, with an easy-to-twist top so you can switch colors as you draw! Please note: we're currently shipping these with a white cap.

by Case for Making · San Francisco, CA

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SATURDAY, JULY 25, 2:00pm - 5:00pm PT This is an in-person workshop at CfM Art Room: 4035 Judah St, San Francisco, next door to our shop! Join Case for Making shop owner Alexis Joseph a 3-hour watercolor paint-making class in our new space! We’ll cover what goes into watercolor medium and why it works so well, along with all the tools and processes necessary to make your own watercolors. We'll also explore synthetic, earth and mineral lake pigments and see how different pigments respond to the paint-making process.

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CfM Oxalis captures the cheery yellow of the California wildflower also known as Woodsorrel, which Bay Area locals might remember from childhood as Sourgrass. Here in San Francisco, Oxalis seems to pop up from every available patch of soil in mid-February, and we wanted to celebrate this annual harbinger of spring! Oxalis flowers make a wonderful, potent natural yellow dye, and CfM Oxalis was inspired by the flower and the slightly more orange dye bath.

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We just can't help ourselves, the colors keep on coming—so much so that our original Custom Feels set has expanded twice! This set comes in our CFM Large Palette , which we love for its spacious mixing wells and easy-to-clean design. All of our premade sets include a swatch card letterpress printed by our friends at Aesthetic Union —what better way to get to know your new colors than a meditative swatching session?!

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This series of paintings was created to celebrate the female purveyors behind the San Francisco restaurant, Flour + Water's, special Women's Month tasting menu. Size 9" x 12" 11 people from our team worked together to collectively create these watercolor paintings, one color mark at a time. Our team is inspired by curiosity, craft and experimentation and we made this series of works in celebration of the visionary women behind each of these beautiful ingredients. We're happy to offer them for sale here as the first original artworks created by our team.

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