Rebecca Atwood Designs Alder Wallpaper in Green Dusk

Alder repeats an abstract dripping pattern that reminded Rebecca of the catkins of an alder tree. The single-color print allows the linen ground (ivory or oatmeal, depending on the color) to show through, adding to its textured appearance—almost like a pair of Japanese selvedge jeans. In GREEN DUSK, it has a worn, washed, calm feeling. This dark, muted blue-green looks beautiful with our Bramble fabric or wallpaper in Camellia Leaf. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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Thickets of berry bushes inspired the name for this grasscloth wallcovering. Printed at a slightly larger scale than our Bramble woven fabric, it has a nice texture and a subtle sheen, almost like raw silk. FOREST SHADOW has a dappled effect, almost like tree bark, thanks to the pale greens, blues, and lilac in it that stand out against the chocolate brown and deep hunter…

by Rebecca Atwood · South Carolina

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This loose, lush botanical print, originally done in I ndia ink using a single brush, captures the view out Rebecca’s windows in Charleston. It’s simple yet impactful with a linen string grasscloth that brings texture and richness to any space.

by Rebecca Atwood · South Carolina

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Rebecca’s fresh, painterly take on traditional botanical prints and tree of life motifs is sophisticated yet bursting with a sense of vibrancy and new growth. Her vines and flowers, built from wavy hand-drawn lines, capture a sense of wild elegance.

by Rebecca Atwood · South Carolina

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This calm, cocooning pattern began as elongated brushstrokes in Rebecca’s sketchbook. Like petals or leaves gently curling at the edges, the soft shapes hang suspended in the air, twisting and turning so you can see their subtle colors. Petals is available on our clay-coated paper at full scale and at a smaller scale to match our Belgian linen and performance woven fabrics.

by Rebecca Atwood · South Carolina

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Loose, painterly leaves in tonal colors drift across the background of this wallpaper. It brings a buoyant feeling to any room where it’s used. With its large-scale proportion — the leaves are life size or slightly bigger — we love it in settings where a creative, not too formal mood is called for.

by Rebecca Atwood · South Carolina

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In this ombre botanical print, rows of imperfect potato-printed trees reach toward the sky. Their bare limbs create a sense of rest and dormant energy as if they’re waiting for their chance to bud and bloom. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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Our friendly, swaying trees take root in dotted lines of vibrant, playful dabs of paint. This pattern has a soothing, steady sense of geometry that’s enlivened by dynamic colors. The way they’re layered creates a lush, almost textural effect. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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Rebecca recast a botanical painting in imaginative new colors to create this fantastical print, marked by its painterly brushstrokes. In our brighter peach and citrine colors, the big leaves and stems feel fun and inviting. In our deep purples, they set a more mysterious, romantic tone.

by Rebecca Atwood · South Carolina

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With its unfurling tendrils, this botanical wallcovering deserves to be used in smaller spaces like entryways and powder rooms where its details will be noticed. Depending on the colorway, we print it on our matte, textural non-woven fibre paper or on our non-woven vellum, which has a lit-from-within glow to it, almost like an oil painting.

by Rebecca Atwood · South Carolina

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Painterly lines cross and connect, in a patchwork of plaid sketches. The subtle waviness of the stripes recalls Rebecca’s hand as it moved across the page. This pattern recalls vintage quilts and brings that coziness with it.

by Rebecca Atwood · South Carolina

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This pattern was inspired by a picture Rebecca snapped of long grass while visiting Portland, Oregon. Travel heightens awareness of your surroundings and invites discovery. Rebecca remembers these long grasses leaning against one another, layering to create a rich texture. She started making a large painting and watched how the shapes connected and overlapped, and how the color could intertwine to create atmosphere. This pattern adds vertical movement and depth to a space. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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This pattern was created from an original painting from Rebecca’s sketchbook, which like many of her designs, began as a mark-making exercise. Creating a motif from small dashes and dots is a simple practice that can start on the corner of a notebook during a meeting or a warm-up practice for a painting session. While mark-making is often an exercise Rebecca uses to center herself in the present moment, the results often become the seed of a new design. The radiating lines of this deconstructed floral shape feel celebratory and are sure to bring joy to any space.

by Rebecca Atwood · South Carolina

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Use this fabric indoors or out. Throughout the years, Rebecca has explored long curved shapes in various ways and frequently doodled them in the corners of her notebooks. When she began to play with this linear shape for a woven, she explored how it could capture the way a breeze ripples through the spring air. By repeating this simple mark in varying darkness, she creates a pattern with movement. Some marks sink back into the ground of the cloth, where others pop against the background.

by Rebecca Atwood · South Carolina

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Lines of ink crisscross for a soft , richly textured effect. We think of it like a soft, insulating layer of pine needles on the forest floor—the perfect foundation to build a retreat-like space. It’s a pattern that pairs well with almost any other print, thanks to our broad range of colorways from faded black to ice blue. This wallpaper is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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This calm, cocooning pattern began as elongated brushstrokes in Rebecca’s sketchbook. Like petals or leaves gently curling at the edges, the soft shapes hang suspended in the air, twisting and turning so you can see their subtle colors. Petals is one of Rebecca’s forever-favorite patterns, particularly for curtains. This fabric is available as a pillow here .

by Rebecca Atwood · South Carolina

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A small vintage fabric cutting Rebecca found in Tokyo, Japan inspired this fabric. It was a small-scale print that read geometric, but also like a floral. She loved this idea for a textural woven and redrew the motif, adding the softness of her hand and increasing the size so that it would translate well as a woven. She thought a lot about the landscape textures and how we need these textures in our home to create the environment that feels best to us. Use this fabric to cover a sofa in a field of flowers, but viewed at a distance for a soft and easy vibe.

by Rebecca Atwood · South Carolina

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A new, smaller take on our signature Hills pattern, which originated as a potato print. Screen printed on linen, the rounded shapes are graphic yet harmonious. The subtle, expressive texture and slight variation in saturation come from the stamping motion of the original artwork. The smaller scale makes the pattern more textural and easy to layer. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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This pattern began as a painting Rebecca made thinking about the shapes of spring, and how everything slowly blooms in layers until it’s a full burst of a garden.

by Rebecca Atwood · South Carolina

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Like most, this pattern began as a painting in Rebecca's sketchbook. She was exploring small shapes and marks to create little gems, which create a playful texture when repeated. The multi-color palette and the subtle texture of the small-scale pattern make this design easy to pair with others. This fabric is available as a pillow here . This fabric is a part of our Archive Collection.

by Rebecca Atwood · South Carolina

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A customer favorite, this abstract botanical is a strong, grounding foundation for a room. Rebecca began drawing it on vacation in Zihuatanejo, Mexico, taking in the movement and color of the landscape; it’s also inspired by the still, quiet energy of tree pose in yoga. The dotted ground allows you to introduce color in a soft but impactful way, making it quite versatile.

by Rebecca Atwood · South Carolina

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This calm, cocooning pattern began as elongated brushstrokes in Rebecca’s sketchbook. Like petals or leaves gently curling at the edges, the soft shapes hang suspended in the air, twisting and turning so you can see their subtle colors. We love using it to upholster larger pieces.

by Rebecca Atwood · South Carolina

🚚 Ships from South Carolina

This calm, cocooning pattern began as elongated brushstrokes in Rebecca’s sketchbook. Like petals or leaves gently curling at the edges, the soft shapes hang suspended in the air, twisting and turning so you can see their subtle colors. We love using it to upholster larger pieces. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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Thickets of berry bushes inspired the name for this indoor upholstery-weight fabric. Woven from a soft, nubby cotton-wool blend, each of the colors contains all the pigments Rebecca would use if she were mixing it with her paints. SPLASH BLUE is bubbling with white that makes it look as effervescent as sea foam. It’s washed, casual, and easy to layer with our other light blues. For pillow fabric details please click here .

by Rebecca Atwood · South Carolina

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