Used Rokinon 14mm T/3.1 ED AS II | Nikon-F | U8

The Nikon AF Nikkor 180mm f/2.8D IF-ED is a professional-grade telephoto prime lens designed for Nikon F-mount film and digital cameras. Its fast f/2.8 maximum aperture provides excellent low-light performance and strong subject isolation with smooth background blur. The optical design consists of 8 elements in 6 groups, including an Extra-Low Dispersion (ED) glass element that helps minimize chromatic aberration and improve image sharpness. Nikon's Internal Focusing (IF) system allows the lens to maintain its physical length during focusing while improving autofocus speed and handling.

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The Meike 35mm T2.1 FF Prime is a professional manual-focus cinema lens designed for filmmakers who want high-end features at an accessible price. Covering a full-frame sensor with a 45mm image circle, it delivers sharp imagery while maintaining a cinematic rendering suitable for narrative films, commercials, and documentaries. Its fast T2.1 aperture provides strong low-light capability and pleasing background separation, while the 11-blade iris produces smooth, rounded bokeh.

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The Nikon Super Zoom-8 is a Super 8 film movie camera introduced in the late 1960s for advanced amateur cinematography. It features a Cine-Nikkor 8.8–45mm f/1.8 zoom lens, providing a versatile focal range suitable for a wide variety of shooting situations. The camera uses a TTL CdS light metering system with both automatic and manual exposure control for flexible operation. Focusing is manual, assisted by a split-image rangefinder visible through the reflex viewfinder for improved precision.

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The Canon Auto Zoom 518 is one of Canon's most respected Super 8 movie cameras from the late 1960s, combining premium optics with durable construction. Its fast 9.5–47.5mm f/1.8 Canon zoom lens produces sharp images with excellent contrast, making it ideal for both indoor and outdoor filmmaking. The built-in TTL exposure meter simplifies shooting while still allowing manual aperture adjustments for greater creative flexibility. Motorized zooming and slow-motion recording added professional-style features that were uncommon at its price point when introduced.

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by K&M Camera · New York, NY

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The Canon EF 17-40mm f/4L USM is a professional ultra-wide-angle zoom lens that has earned a reputation for its sharp optics, durable L-series construction, and dependable performance. Featuring a constant f/4 maximum aperture throughout its 17–40mm focal range, it is an excellent choice for landscape, architecture, travel, and event photography where consistent exposure and wide perspectives are essential.

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The Canon EF-S 10-22mm f/3.5-4.5 USM is an ultra-wide-angle zoom lens engineered specifically for Canon APS-C DSLR bodies, delivering a 16-35.2mm full-frame equivalent range well suited to landscape, architecture, and interior photography. Its optical design incorporates one Super-UD element and three aspherical elements alongside Super Spectra coating to control aberrations and maintain contrast across the frame.

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The Tokina AT-X 116 PRO DX 11–16mm f/2.8 is one of the most respected ultra-wide zoom lenses ever produced for APS-C DSLR cameras. Its constant f/2.8 aperture makes it a favorite among landscape, architecture, and astrophotography enthusiasts who need strong low-light performance. The lens delivers outstanding sharpness across the frame thanks to its sophisticated optical design featuring Super-Low Dispersion and aspherical elements. Tokina's signature One-Touch Focus Clutch provides a fast and intuitive way to switch between autofocus and manual focus without using a separate AF/MF switch.

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Tailored for photographers and content creators seeking a striking perspective, the Tamron 12-20mm f/2.8 Lens enhances your ultrawide imaging capabilities while maintaining portability. Utilizing its native Nikon Z mount, this full-frame zoom offers a wide angle of view that effectively captures landscapes, architecture, interiors, and beyond with remarkable edge-to-edge clarity. Its bright, constant f/2.8 maximum aperture guarantees outstanding low-light performance and accurate depth control across the entire zoom range.

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Specifically designed for full-frame EOS R-series cameras, the Canon RF 100mm f/2.8 L Macro IS USM Lens merges a medium-telephoto perspective with an elegant design and exceptional close-focusing capabilities. This autofocus lens is particularly suited for capturing close-up images, making it an excellent option for both portrait and macro photography.

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The Sirui 50mm F/1.8 1.33x Anamorphic Lens is a compact anamorphic prime lens designed for APS-C and Super35 mirrorless camera systems. Featuring a fast f/1.8 aperture and a 1.33x squeeze factor, it delivers cinematic widescreen imagery with classic horizontal lens flares and oval-shaped bokeh. The lens uses an all-metal aluminum alloy construction with German Schott glass elements and multi-layer nano coatings for improved sharpness and contrast.

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The Canon EF-S 55-250mm f/4-5.6 IS STM is a lightweight telephoto zoom lens designed for Canon APS-C DSLR cameras, offering an impressive 88-400mm full-frame equivalent focal range. Its versatile zoom makes it an excellent choice for wildlife, sports, travel, portraits, and everyday photography, allowing photographers to capture distant subjects with ease. The lens features a stepping motor (STM) autofocus system that delivers fast, smooth, and nearly silent focusing, making it equally well suited for both still photography and video recording.

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Pushing the boundaries of what can be achieved with an R-series camera, the Sony a7R VI combines the highest resolution sensor ever placed in an a7 body with remarkable 30 fps performance, outstanding 8K video features, enhanced AI-assisted autofocus, and better handling along with extended battery life. This versatile camera is designed as a comprehensive solution for individuals engaged in diverse genres and mediums, including professional portrait and landscape photographers, event videographers, editorial, advertising, and commercial experts, as well as wildlife and sports photographers.

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The Sony XDCA-FS7 is a professional extension unit designed to expand the capabilities of the Sony PXW-FS7 and PXW-FS7 II cinema cameras. It adds advanced features such as 12-bit 4K and 2K RAW output, allowing filmmakers to capture higher-quality footage for demanding post-production workflows. The unit supports Apple ProRes 422 recording directly to the camera's XQD media, providing a convenient alternative to XAVC recording. Built-in Genlock and Timecode connections make it ideal for multi-camera productions, live events, and broadcast environments where precise synchronization is required.

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Highly versatile and well-suited for all traditional black and white printing needs, this box of 100 sheets of 8 x 10" Ilford MULTIGRADE RC Deluxe features a pearl 44M surface finish that has a more textured appearance than glossy paper to help reduce overwhelming surface reflections, yet still retains some reflectivity to achieve deeper black values for a longer apparent tonal scale. This Generation V paper features an updated emulsion with a more linear contrast profile that responds consistently and accurately to the full 00-5 range of Multigrade filters for fine tuning the look of prints.

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The Nikon Coolpix L24 is a compact 14-megapixel point-and-shoot digital camera released in the early 2010s as part of Nikon’s budget-friendly L-series. It uses a 1/2.3-inch CCD sensor paired with a 3.6× optical zoom NIKKOR lens, offering a 37–134mm full-frame equivalent focal range. The camera features a simple automatic shooting system with scene detection, face recognition, and basic exposure compensation controls for ease of use. Its 3.0-inch rear LCD screen provides a large preview interface, though it lacks an optical viewfinder for framing.

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Kodak Eastman UltraMax 400 is a high-speed color negative film that is balanced for daylight use, providing a broad exposure latitude for enhanced versatility, along with a fine grain structure that ensures consistent and accurate color reproduction. Its optimized skin tone rendering makes this film ideal for portrait photography, while its vibrant color palette is advantageous for general and outdoor photography. With a nominal sensitivity of ISO 400/27°, it is well-suited for both scanning and enlarging purposes.

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Capture your world, share your vision Presenting a versatile feature set in an especially compact design, the Sony a6100 is an APS-C-format mirrorless camera well-suited for stills and video applications. Based on a hybrid concept, the a6100 combines an advanced sensor design and fast, intelligent AF capabilities with excellent video quality and intuitive handling for a sleek, carry-everywhere camera to capture your day-to-day adventures.

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The Tiffen 55mm UV Protector Filter is a general use, clear filter that helps to absorb ultraviolet light and reduce the bluish cast of daylight. This filter is especially useful when photographing at high altitudes or around bodies of water. No additional coloration or contrast is provided, allowing you to pair this filter with others. The UV filter is also useful as a general protective filter to leave on lenses at all times. Filters help to reduce dust and moisture from reaching your lens element and provide additional protection in case of drops or situations where scratching could occur.

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CineStill film is the amazing technology of motion picture film, prepped and rolled for still photography. CineStill 800Tungsten is a unique film for still photographers. This 800 speed tungsten balanced color negative film is prepared from the same motion picture film stock used by top cinematographers around the world. This film is designed for difficult low light tungsten situations and may be used in many different lighting situations to achieve a variety of looks.

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Preserve your memories in a vintage aesthetic while enjoying digital clarity with the MND70 Digital Camera from Minolta. This compact point-and-shoot device captures stunning 48MP still images and enables you to record 5K video at 30 fps, showcasing rich details and vibrant colors. The camera is equipped with an optical viewfinder, and a 2.8" LCD monitor is available for framing, composing, and reviewing images. Additionally, a rear lens allows for easy selfie framing using the LCD. Utilize the built-in WiFi to manage the camera and transfer images via the iSmart DV2 app.

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The Minolta MD 50mm f/2 is a third-generation MD-III standard prime lens introduced in 1981, built around a 6-element, 5-group optical formula with multi-coating and a recessed front element for flare resistance and mechanical durability. Its Minolta SR bayonet mount ensures full metering and diaphragm coupling compatibility with the complete range of Minolta MD and MC camera bodies. The compact, lightweight construction and smooth manual focus and aperture controls reflect the refined ergonomics of the late MD series.

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Rollei Infrared 400 is a unique infrared-sensitized panchromatic black and white negative film with a nominal sensitivity of ISO 400/27° without filtration. It is sensitive to IR wavelengths within the range of 650-750nm and can be used to produce unique halation effects with filtration and by varying the exposure length. It is suitable for working in both daylight and tungsten conditions and is characterized by a fine grain structure, notable sharpness, and high resolving power. Additionally, a good contrast profile offers clear separation between shadow and highlight regions.

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The CAMVATE Rosette Mount Rubberized Handgrips are professional handheld rig accessories designed for cinema cameras, mirrorless systems, and DSLR video setups. Built from lightweight aluminum alloy with textured rubber coatings, the grips provide a secure and comfortable hold during extended handheld shooting sessions. Each handle features a standard ARRI-style M6 rosette mount, allowing full 360-degree rotational adjustment for customized rig ergonomics. The dual-grip configuration is commonly paired with shoulder rigs, cages, and 15mm rod systems to improve stability and operator control.

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