Used Konica Big Mini Zoom TR BM-610Z | Silver| U8

The Konica Big Mini BM-510Z is a compact 35mm point-and-shoot film camera released during the 1990s as part of Konica’s popular Big Mini lineup. It features a built-in 35–70mm f/3.9–7.4 zoom lens with fully automatic exposure and autofocus operation, making it very easy to use for casual shooting. The camera supports DX-coded film speeds from ISO 25 to 3200 and includes automatic film advance, rewind, and a built-in flash system. Its lightweight pocketable design made it a strong competitor to other premium compact zoom cameras of the era from Canon, Olympus, and Minolta.

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The Fujifilm Natura Zoom is a premium 35mm compact film camera designed to deliver outstanding image quality in a lightweight, pocket-friendly package. Its Fujinon Super EBC 28–56mm f/2.8–5.4 zoom lens provides a versatile focal range suitable for landscapes, street photography, portraits, and everyday snapshots. One of its standout features is Fujifilm's Natural Photo (NP) mode, which is optimized for high-speed film to produce natural-looking images in low-light environments without relying heavily on flash.

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The Canon Sure Shot 60 Zoom Date is a compact and user-friendly 35mm point-and-shoot camera introduced in 1995 for photographers who wanted simplicity without sacrificing image quality. Its 38–60mm Canon zoom lens provides flexibility for everyday photography, from casual portraits to travel scenes. The 5-point Ai AF autofocus system offers dependable focusing performance, while automatic exposure ensures consistently well-exposed photographs in a variety of lighting conditions.

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The Fujifilm Zoom Date 120V is a compact 35mm point-and-shoot camera designed for photographers who want the convenience of a fully automatic shooting experience. Its versatile 38–120mm Fujinon zoom lens covers everything from everyday snapshots to portraits and travel photography. Autofocus, automatic exposure, and multiple flash modes make it easy to use in a wide variety of lighting conditions. The camera features Fujifilm's drop-in loading and pre-wind system, reducing the risk of losing images if the camera back is accidentally opened.

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The Nikon Zoom Touch 800 (also marketed as the TW Zoom 105) was Nikon's flagship point-and-shoot film camera of the early 1990s, built around a 37–105mm f/3.7–9.9 power zoom lens featuring ED glass for SLR-comparable sharpness. Its Wide-Area Autofocus system, Spot AF option, and Focus Tracking provide accurate subject acquisition across a range of shooting scenarios, complemented by Spot metering for precise exposure control. Distinguishing features include Sequence Zoom shooting, an Image Size Selector for panoramic formats, and a Film Interchange System allowing film to be swapped mid-roll.

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The Canon Auto Zoom 518 is one of Canon's most respected Super 8 movie cameras from the late 1960s, combining premium optics with durable construction. Its fast 9.5–47.5mm f/1.8 Canon zoom lens produces sharp images with excellent contrast, making it ideal for both indoor and outdoor filmmaking. The built-in TTL exposure meter simplifies shooting while still allowing manual aperture adjustments for greater creative flexibility. Motorized zooming and slow-motion recording added professional-style features that were uncommon at its price point when introduced.

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The Fujifilm Discovery 270 Zoom is a compact 35mm point-and-shoot camera that combines ease of use with Fuji's respected optical quality. Its Fujinon 35–70mm zoom lens offers flexibility for landscapes, portraits, and everyday snapshots while maintaining sharp image quality. The camera's fully automatic operation, including autofocus, exposure, and motorized film transport, makes it an excellent choice for beginners and casual film photographers. Features such as panorama mode, drop-in film loading, and multiple flash options add convenience without complicating operation.

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The Nikon Coolpix S9100 was one of Nikon's flagship travel zoom compact cameras, offering an impressive 18× optical zoom that covered an ultra-wide 25mm to super-telephoto 450mm equivalent range. Its back-illuminated CMOS sensor provided improved low-light performance and enabled Full HD 1080p video recording, making it a significant step forward from earlier CCD-based COOLPIX models. Despite its powerful zoom lens, the camera maintained a compact form factor that easily fit into a jacket pocket, making it an excellent travel companion.

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The TVS III is often regarded as the most compact model in the TVS series, combining a Zeiss T*-coated zoom lens with a titanium body and advanced exposure controls. Compared to the earlier TVS and TVS II, it is smaller and lighter while retaining manual focus capability and aperture-priority shooting. The 30–60mm Vario-Sonnar lens is known for strong sharpness and contrast, particularly at the wide end. Its titanium construction gives it a premium feel similar to the Contax T-series cameras, though the TVS III offers the flexibility of a zoom lens.

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The Nikon Super Zoom-8 is a Super 8 film movie camera introduced in the late 1960s for advanced amateur cinematography. It features a Cine-Nikkor 8.8–45mm f/1.8 zoom lens, providing a versatile focal range suitable for a wide variety of shooting situations. The camera uses a TTL CdS light metering system with both automatic and manual exposure control for flexible operation. Focusing is manual, assisted by a split-image rangefinder visible through the reflex viewfinder for improved precision.

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The Olympus i Zoom 2000 is a compact APS film camera released as part of Olympus’s late consumer zoom lineup. It uses the APS (IX240) film format, allowing selectable C, H, and panoramic aspect ratios through cartridge-based loading. The camera is equipped with a 25–50mm motorized zoom lens, offering a 35mm-equivalent focal range of approximately 31–62mm. Autofocus is handled by an infrared active system, enabling reliable point-and-shoot operation with minimal user input.

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The Pentax IQ Zoom AF Zoom Macro 35mm–70mm is an early-generation autofocus 35mm point-and-shoot camera that helped popularize zoom lenses in compact film cameras. Its versatile 35–70mm zoom range covers everything from everyday snapshots to short telephoto portraits. The built-in macro mode allows close-up photography at distances as short as 0.6 meters, making it useful for flowers, details, and small objects. Fully automatic exposure, autofocus, film advance, and flash operation make it exceptionally easy to use.

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Some rope straps have a coarse feel, but not so with ProMaster Rope Straps . We searched far and wide to locate a superb material that is soft yet durable, with a unique weave pattern that feels comfortable against your skin. This material also has just a little bit of stretchiness... for added comfort. And it's water resistant too! This strap connects to your camera's lugs using split ring connectors. Each connection is made through a small "window" in the tab at the end of the strap.

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Kodak Ektar 100 120 Overview Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. Utilizing the cinematic VISION Film technology, this film's smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well-suited to scanning applications, and advanced development accelerators offer extended versatility when making enlargements.

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CineStill film is the amazing technology of motion picture film, prepped and rolled for still photography. CineStill 800Tungsten is a unique film for still photographers. This 800 speed tungsten balanced color negative film is prepared from the same motion picture film stock used by top cinematographers around the world. This film is designed for difficult low light tungsten situations and may be used in many different lighting situations to achieve a variety of looks.

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The Spiratone Digital SP-II was positioned as an affordable alternative to professional spot meters from companies like Pentax and Minolta while still offering precise reflected-light measurements. Its narrow 1° field of view allows photographers to meter individual highlights, shadows, or midtones, making it especially useful for high-contrast scenes. The digital LED display was considered advanced at the time, providing quick and easy exposure interpretation compared to analog needle meters.

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Ideal for professional and amateur photographers alike, Kodak Ektacolor Pro 400 features the highest sharpness and finest grain of any 400-speed color negative film in the world. With a nominal sensitivity of ISO 400/27° and an exceptionally wide exposure latitude, Ektacolor 400 offers outstanding flexibility, delivering high-quality images in a variety of lighting conditions—from sun-soaked daytime exteriors to dimly lit interiors.

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The Contax NX is the final 35mm autofocus SLR introduced by Kyocera before the Contax camera line was discontinued in 2005. Designed as a lighter and more affordable companion to the flagship Contax N1, it retains compatibility with the exceptional Carl Zeiss Contax N autofocus lenses renowned for their outstanding optical quality. Its 5-point autofocus system, multiple exposure modes, and advanced metering options make it capable of handling everything from portraits to fast-moving subjects.

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The Panasonic Lumix S 20–60mm f/3.5–5.6 is a compact standard zoom designed for photographers and videographers using the L-Mount system. Its unique 20mm wide-angle end offers a noticeably broader field of view than traditional 24–70mm kit lenses, making it especially useful for landscapes, interiors, and vlogging. Despite its lightweight 350 g construction, the lens delivers impressive sharpness throughout the zoom range thanks to its advanced optical design.

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The Panasonic Lumix DMC-SZ5 is a compact 14.1-megapixel digital camera released in 2012, designed as a lightweight travel zoom option in Panasonic’s SZ series. It uses a 1/2.33-inch CCD sensor paired with a Leica DC Vario-Elmar 25–250mm equivalent lens, providing a versatile 10× optical zoom range. Optical stabilization is handled by Panasonic’s MEGA O.I.S. system, which helps reduce blur during handheld shooting at longer focal lengths. The camera features a 3.0-inch rear LCD screen and relies on fully automatic shooting modes such as Intelligent Auto for simplified operation.

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Highly versatile and well-suited for all traditional black and white printing needs, this box of 100 sheets of 8 x 10" Ilford MULTIGRADE RC Deluxe features a pearl 44M surface finish that has a more textured appearance than glossy paper to help reduce overwhelming surface reflections, yet still retains some reflectivity to achieve deeper black values for a longer apparent tonal scale. This Generation V paper features an updated emulsion with a more linear contrast profile that responds consistently and accurately to the full 00-5 range of Multigrade filters for fine tuning the look of prints.

by K&M Camera · New York, NY

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by K&M Camera · New York, NY

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The Kentmere PAN 200 is a flexible black and white film crafted for photographers who appreciate both detail and dynamic range. This ISO 200 film achieves a harmonious balance between fine grain and pronounced contrast, making it suitable for a variety of shooting scenarios—from architectural interiors to striking street scenes. It provides crisp sharpness and well-controlled grain, preserving image clarity while delivering a pleasing tonal richness throughout highlights and shadows.

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The CAMVATE Rosette Mount Rubberized Handgrips are professional handheld rig accessories designed for cinema cameras, mirrorless systems, and DSLR video setups. Built from lightweight aluminum alloy with textured rubber coatings, the grips provide a secure and comfortable hold during extended handheld shooting sessions. Each handle features a standard ARRI-style M6 rosette mount, allowing full 360-degree rotational adjustment for customized rig ergonomics. The dual-grip configuration is commonly paired with shoulder rigs, cages, and 15mm rod systems to improve stability and operator control.

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