Used Canon 6.5-78MM F/2.0 YJ12X6.5B4 | U8

The Canon TV J15x9.5B4A-KRS is a classic professional broadcast zoom lens designed for 2/3-inch B4-mount ENG and studio television cameras. Its versatile 9.5–143mm focal length and constant f/1.8 aperture make it well suited for everything from wide establishing shots to tight telephoto coverage without sacrificing brightness. The lens features Canon's smooth servo-driven zoom, iris, and focus controls, enabling precise operation during live broadcasts and fast-paced productions.

by K&M Camera · New York, NY

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The Canon PH15X7B is a classic professional broadcast zoom lens that was widely used on 1/2-inch ENG cameras during the 1980s. Its versatile 7–105mm focal length and bright f/1.4 aperture made it well suited for news gathering, sports, and documentary production in varying lighting conditions. The lens features smooth servo-controlled zoom and iris operation, allowing camera operators to make fluid adjustments while filming live events. Its durable construction was built to withstand the rigors of daily field use, making it a dependable choice for television crews.

by K&M Camera · New York, NY

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The Canon EF 17-40mm f/4L USM is a professional ultra-wide-angle zoom lens that has earned a reputation for its sharp optics, durable L-series construction, and dependable performance. Featuring a constant f/4 maximum aperture throughout its 17–40mm focal range, it is an excellent choice for landscape, architecture, travel, and event photography where consistent exposure and wide perspectives are essential.

by K&M Camera · New York, NY

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The Canon RF 1200mm f/8 L IS USM Lens super-telephoto, fixed focal length lens is the longest telephoto lens among Canon's EOS R System lineup**, making it a terrific choice for any long-distance application such as outdoor sports, wildlife, news photojournalism, and more where you want to create super-tele impact. Two large-diameter Fluorite elements, one Super UD (Ultra-low Dispersion) and one UD-glass element, and Air Sphere Coating combine for superb optical performance. The 1200mm focal length naturally provides incredibly soft backgrounds.

by Pro Photo Supply · Portland, OR

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The Panasonic Lumix S 20–60mm f/3.5–5.6 is a compact standard zoom designed for photographers and videographers using the L-Mount system. Its unique 20mm wide-angle end offers a noticeably broader field of view than traditional 24–70mm kit lenses, making it especially useful for landscapes, interiors, and vlogging. Despite its lightweight 350 g construction, the lens delivers impressive sharpness throughout the zoom range thanks to its advanced optical design.

by K&M Camera · New York, NY

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The Canon EF 70–200mm f/2.8L IS USM is a first-generation L-series telephoto zoom lens introduced in 2001, combining a constant f/2.8 maximum aperture with Canon's optical image stabilization in a dust and moisture resistant professional-grade body. Its 23-element, 18-group optical formula incorporates four UD glass elements for effective chromatic aberration control and high-contrast output across the full 70–200mm zoom range.

by K&M Camera · New York, NY

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The Canon RF 100-300mm f/2.8 L IS USM , brings zooming capabilities to the proven 300mm f/2.8 concept. This lens is aimed directly at professional and very high-end video and still-image users that want gorgeous background bokeh that makes imagery “pop”, such as theater work, event candid’s at a distance, indoor sports like swimming, gymnastics, and basketball.

by Pro Photo Supply · Portland, OR

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The Canon EF-S 55-250mm f/4-5.6 IS STM is a lightweight telephoto zoom lens designed for Canon APS-C DSLR cameras, offering an impressive 88-400mm full-frame equivalent focal range. Its versatile zoom makes it an excellent choice for wildlife, sports, travel, portraits, and everyday photography, allowing photographers to capture distant subjects with ease. The lens features a stepping motor (STM) autofocus system that delivers fast, smooth, and nearly silent focusing, making it equally well suited for both still photography and video recording.

by K&M Camera · New York, NY

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Tailored for photographers and content creators seeking a striking perspective, the Tamron 12-20mm f/2.8 Lens enhances your ultrawide imaging capabilities while maintaining portability. Utilizing its native Sony E mount, this full-frame zoom offers a wide angle of view that effectively captures landscapes, architecture, interiors, and beyond with remarkable edge-to-edge clarity. Its bright, constant f/2.8 maximum aperture guarantees outstanding low-light performance and accurate depth control across the entire zoom range.

by K&M Camera · New York, NY

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The Canon EF-S 10-22mm f/3.5-4.5 USM is an ultra-wide-angle zoom lens engineered specifically for Canon APS-C DSLR bodies, delivering a 16-35.2mm full-frame equivalent range well suited to landscape, architecture, and interior photography. Its optical design incorporates one Super-UD element and three aspherical elements alongside Super Spectra coating to control aberrations and maintain contrast across the frame.

by K&M Camera · New York, NY

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The Sony FE 24-50mm F2.8 G is a compact standard zoom lens designed for Sony full-frame mirrorless cameras, offering a versatile 24-50mm focal range with a constant f/2.8 aperture. It delivers sharp image quality, strong contrast, and smooth background blur while remaining significantly smaller and lighter than most traditional 24-70mm f/2.8 lenses. The lens features dual linear autofocus motors that provide fast, quiet, and accurate focusing performance for both photography and video applications.

by K&M Camera · New York, NY

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Key Features APS-C/Super35 E-Mount Lens Aperture Range: f/4 to f/22 One Aspherical & Two ED Elements Smooth Motion Optic With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view.

by Pro Photo Supply · Portland, OR

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The Tiffen 55mm UV Protector Filter is a general use, clear filter that helps to absorb ultraviolet light and reduce the bluish cast of daylight. This filter is especially useful when photographing at high altitudes or around bodies of water. No additional coloration or contrast is provided, allowing you to pair this filter with others. The UV filter is also useful as a general protective filter to leave on lenses at all times. Filters help to reduce dust and moisture from reaching your lens element and provide additional protection in case of drops or situations where scratching could occur.

by K&M Camera · New York, NY

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Some rope straps have a coarse feel, but not so with ProMaster Rope Straps . We searched far and wide to locate a superb material that is soft yet durable, with a unique weave pattern that feels comfortable against your skin. This material also has just a little bit of stretchiness... for added comfort. And it's water resistant too! This strap connects to your camera's lugs using split ring connectors. Each connection is made through a small "window" in the tab at the end of the strap.

by K&M Camera · New York, NY

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Kodak Ektar 100 120 Overview Kodak Professional Ektar 100 is a daylight-balanced color negative film characterized by an ultra-vivid color palette, high saturation, and an extremely fine grain structure. Utilizing the cinematic VISION Film technology, this film's smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well-suited to scanning applications, and advanced development accelerators offer extended versatility when making enlargements.

by K&M Camera · New York, NY

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The Contax NX is the final 35mm autofocus SLR introduced by Kyocera before the Contax camera line was discontinued in 2005. Designed as a lighter and more affordable companion to the flagship Contax N1, it retains compatibility with the exceptional Carl Zeiss Contax N autofocus lenses renowned for their outstanding optical quality. Its 5-point autofocus system, multiple exposure modes, and advanced metering options make it capable of handling everything from portraits to fast-moving subjects.

by K&M Camera · New York, NY

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Overview A compact synthesis of Sony's Cinema Line innovations, α-series still-image rendering quality, and advancements in AI-based recognition technology, the a6700 Mirrorless Camera puts powerful and versatile imaging capabilities into the hands of ambitious content creators. Powered-up by its combo of the latest 26.0MP back-illuminated Exmor R CMOS sensor and the BIONZ XR processor, the camera nevertheless weighs less than its predecessor, resulting in a mobile workhorse capable of an unstrained 11 fps continuous stills capture or stress-free UHD 4K video oversampled from a 6K…

by K&M Camera · New York, NY

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by K&M Camera · New York, NY

🚚 Ships from New York

The CAMVATE Rosette Mount Rubberized Handgrips are professional handheld rig accessories designed for cinema cameras, mirrorless systems, and DSLR video setups. Built from lightweight aluminum alloy with textured rubber coatings, the grips provide a secure and comfortable hold during extended handheld shooting sessions. Each handle features a standard ARRI-style M6 rosette mount, allowing full 360-degree rotational adjustment for customized rig ergonomics. The dual-grip configuration is commonly paired with shoulder rigs, cages, and 15mm rod systems to improve stability and operator control.

by K&M Camera · New York, NY

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The Nikon Coolpix L24 is a compact 14-megapixel point-and-shoot digital camera released in the early 2010s as part of Nikon’s budget-friendly L-series. It uses a 1/2.3-inch CCD sensor paired with a 3.6× optical zoom NIKKOR lens, offering a 37–134mm full-frame equivalent focal range. The camera features a simple automatic shooting system with scene detection, face recognition, and basic exposure compensation controls for ease of use. Its 3.0-inch rear LCD screen provides a large preview interface, though it lacks an optical viewfinder for framing.

by K&M Camera · New York, NY

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The Nitze T-F04A Cage is a professional camera cage designed specifically for the Fujifilm X-H2 and X-H2S mirrorless cameras. Constructed from CNC-machined aluminum alloy, it provides robust protection while maintaining a lightweight footprint suitable for handheld and gimbal work. The cage features numerous mounting points, including ARRI locating holes, a NATO rail, and a cold shoe mount for attaching monitors, microphones, handles, and other filmmaking accessories.

by K&M Camera · New York, NY

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Legendary premium compact 35mm film camera introduced by Contax/Kyocera in the early 1990s. Features a renowned Carl Zeiss T* Sonnar 38mm f/2.8 lens known for exceptional sharpness, contrast, and color rendition. Durable titanium body construction offers a luxurious feel while remaining compact enough for everyday carry. Autofocus operation with manual focus override for greater creative control. Aperture Priority AE and Program AE shooting modes provide flexibility for both casual and advanced photographers. Built-in flash with red-eye reduction and multiple flash modes.

by K&M Camera · New York, NY

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The Panasonic Lumix S 20–60mm f/3.5–5.6 is a compact standard zoom designed for photographers and videographers using the L-Mount system. Its unique 20mm wide-angle end offers a noticeably broader field of view than traditional 24–70mm kit lenses, making it especially useful for landscapes, interiors, and vlogging. Despite its lightweight 350 g construction, the lens delivers impressive sharpness throughout the zoom range thanks to its advanced optical design.

by K&M Camera · New York, NY

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Overview The Manfrotto MK190XPRO3-3W Aluminum Tripod with 3-Way Pan/Tilt Head combines the MT190XPRO3 tripod legs with the MHXPRO-3W 3-way pan/tilt head. The tripod has a load capacity of 13.2 lb, extends up to 68.1", and folds down to 28.4" for transport. The Quick Power Lock System allows you to completely extend the tripod legs with one hand. Once set up, you can use the tripod's rapid center column in standard vertical mode or swing it into horizontal position like a boom with Manfrotto's 90° column feature to get your camera down to only 3.5" above the ground.

by K&M Camera · New York, NY

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